明清江南建筑木雕鱼形图案研究  

Ming and Qing Dynasty Jiangnan Architecture Wood Carving Fish-shaped Pattern Modeling Research

作　　者：张伟孝 吴智慧[2] ZHANG Wei-xiao;WU Zhi-hui(Zhejiang Guangsha Construction Vocational and Technical University,Dongyang 322103,Zhejiang,P.R.China;Nanjing Forestry University,Nanjing 210037,Jiangsu,P.R.China)

机构地区：[1]浙江广厦建设职业技术大学,浙江东阳322103 [2]南京林业大学,江苏南京210037

出　　处：《林产工业》2025年第2期53-57,共5页China Forest Products Industry

基　　金：国家社科基金艺术学项目“明清江南木雕史”(20BG116)。

摘　　要：鱼形图案一直是建筑木雕艺术常用题材。明清江南建筑木雕经过不断发展与传承,形成了独特的木雕图形符号。分析了江南建筑中木雕鱼形图案在梁枋、门窗、檐下、顶棚等部位的表现形式及构图方法,并从哲学理念、民俗特性与文化追求等方面进行了阐述,旨在挖掘传统建筑木雕图案,以期为木雕艺术与传统文化的结合、运用与研究提供参考。The fish-shaped pattern has always been a common motif in architectural wood carving.After continuous development and inheritance,the architectural wood carving of Jiangnan in the Ming and Qing dynasties has formed a unique graphic symbol of wood carving.In this paper,the expression and composition methods of the fish-shaped patterns of wood carving in Jiangnan architecture in the beams,doors and windows,under the eaves,ceilings and other parts were analyzed,and the cultural connotation was expounded from the aspects of philosophical concepts,folk characteristics and cultural pursuits,in order to excavate the traditional architectural wood carving patterns,and provide a reference for the combination,application and research of wood carving art and traditional culture.

关 键 词：建筑木雕 鱼形图案 表现部位 构图形式 文化意蕴 

分 类 号：TS6[轻工技术与工程] TS396