永恒与无限之间的人:海德格尔技术哲学视阈下的《永恒的终结》  

Man in The End of Eternity in the Light of Heidegger’s Philosophy of Technology

作　　者：何晓奕 He Xiaoyi(Beijing Language and Culture University,Beijing,100083,China)

机构地区：[1]北京语言大学,北京100083

出　　处：《语言与文化研究》2025年第2期209-213,共5页Language and Culture Research

摘　　要：当代科幻作家阿西莫夫在《永恒的终结》中创造的“永恒时空”是一个宇宙化的科技乌托邦,通过集置、制造和谋算三步,完成了科技对人的统治。本文从海德格尔技术哲学视角出发,探究永恒时空的建构基础、其背后的现代景观隐喻及其对人的影响,以及永恒时空终结的哲学意义,说明永恒时空的终结本质上是对技术崇拜和现代性神话的二次祛魅以及人在技术统治支配思维下的主体性的复归,体现了阿西莫夫对技术至上的时代中人类命运及存在方式的终极思考。“Eternity”created by contemporary science fiction writer Asimov in The End of Eternity is a cosmic technological utopia,which accomplishes the domination of science and technology over human beings through the three steps of enframing,making and calculating.From the perspective of Heidegger's philosophy of technology,this paper explores the basis for the construction of Eternity,the modern landscape metaphor behind it and its impact on human beings,as well as the philosophical significance of the end of Eternity,which is essentially the second disenchantment of the cult of technology and the myth of modernity,as well as the return of the subjectivity of human beings under the dominant mindset of technological domination.This reflects Asimov's embodying the ultimate reflection on the destiny and the mode of existence of human beings in the era of the supremacy of technology.

关 键 词：《永恒的终结》 海德格尔 存在 科技乌托邦 

分 类 号：G63[文化科学—教育学]