“恐惧”视角下的埃德蒙·伯克的崇高美学思想  

On the Sublime Aesthetic Thought of Edmund Burke from the Perspective of“Fear”

作　　者：赵紫薇 Zhao Ziwei(Heilongjiang University,Harbin,150080,China)

机构地区：[1]黑龙江大学,哈尔滨150080

出　　处：《语言与文化研究》2025年第2期273-275,共3页Language and Culture Research

摘　　要：古希腊作家朗吉努斯在《论崇高》中首次提出“崇高”一词,从此作为美学审美范畴的崇高出现在大众的视野范畴中。18世纪,伯克在考察人类的审美情感时,将恐惧纳入崇高的范畴。伯克将崇高与感官相联系。恐惧是崇高的主要组成部分,也是崇高的主导原则。朗吉努斯认为,崇高的才华是与生俱来的,硬学不得,因此自然才是唯一可以产生崇高的艺术。而“恐惧”往往与崇高有着较大的联系,本文将围绕“恐惧”,深度探讨了埃德蒙·伯克的崇高思想。The ancient Greek writer,Longinus,put forward the word“sublime”for the first time in“On the Sublime”.Since then,the sublime as an aesthetic category appeared in the public field of vision.In the 18th century,Burke included fear into the category of the sublime when he examined human aesthetic emotions.Burke associated the sublime with the senses.Fear is the chief component and the dominant principle of the sublime.Longinus believes that sublime talent is innate and cannot be learned hard.So nature is the only art that can produce the sublime.And“fear”often has a greater connection with the sublime.This article delves into Edmund Burke's sublime thoughts around the concept of“fear”.

关 键 词：恐惧 崇高 伯克 敬畏 

分 类 号：G63[文化科学—教育学]