揚雄《法言》音樂思想研究  

A Study on the Musical Thought of Yang Xiong's Fa Yan

作　　者：向姝蒙 陳昊 XIANG Shumeng;CHEN Hao(Sichuan Normal University,China)

机构地区：[1]四川師範大學

出　　处：《人文与社科亚太学刊》2024年第4期204-210,共7页Asia-Pacific Journal of Humanities and Social Sciences

基　　金：四川省社會科學重點研究基地揚雄研究中心資助科研專案“揚雄《法言》音樂思想研究”(專案編號YX202303)結題成果。

摘　　要：揚雄,西漢時期傑出的文學家與思想家,其著作以儒家思想為基礎,融合個人獨到的解讀,形成了獨特的思想體系。在《法言》等作品中,揚雄對音樂及其表現的雅正觀和禮樂觀兩方面提出了深刻的見解。通過搜集整理《法言》中與音樂相關的文獻,並從音樂學、美學角度進行分析,挖掘其雅正觀主要是對音樂社會功能的認識,認為音樂應具有道德和美學雙重作用,以達到教化民眾、提升社會文明程度的方式;禮樂觀主要是從國家和個人角度出發,希望禮樂成為統治者治理國家的重要手段,於個人而言,揚雄認為禮樂乃聖人君子紋飾和修身的外在表現。揚雄在《法言》中的觀點不僅反映其個人的音樂理念,也為研究《太玄》《琴清英》等作品中的音樂思想提供了寶貴的參考。Yang Xiong,an outstanding writer and thinker in the Western Han Dynasty,based on Confucianism,combines personal unique interpretation,forming a unique ideological system.In the works such as Fa Yan,Yang Xiong put forward a deep view of the two aspects of elegance and politeness of music and his performance.By collecting and sorting out the literature related to music in the Fa Yan,and analyzing from the perspective of music and aesthetics,tapping its elegant view is mainly aware of the function of music society.It is believed that music should have a dual effect on morality and aesthetics to achieve education The way of the public and the degree of social civilization;etiquette optimism is mainly from the perspective of the country and individuals.I hope that ritual music will become an important means for the governance of the rulers to govern the country.Personally,Yang Xiong believes in performance.Yang Xiong's view in"Fa Word"not only reflects his personal music concept but also provides valuable references for the study of music thoughts in the works such as"Tai Xuan"and"Qin Qingying."

关 键 词：揚雄 《法言》 音樂思想 雅正觀 禮樂觀 

分 类 号：I20[文学—中国文学]