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作 者:廖望 LIAO Wang(School of Foreign Languages,Beihang University,Beijing 100191,China)
机构地区:[1]北京航空航天大学外国语学院,北京100191
出 处:《上海大学学报(社会科学版)》2025年第1期87-97,共11页Journal of Shanghai University(Social Sciences Edition)
基 金:北京市社会科学基金规划青年项目(22WXC006);北京航空航天大学敢为行动计划文科基本科研业务费支持项目(501WKJH20204)。
摘 要:作为全世界最负盛名的大都市和经济中心之一,美国纽约激发了文学史上无数作家的灵感,也成为科幻小说后末日世界建构中常见的都市想象原型。从文学和经济学的跨学科视角,借助发展伦理学的理论概念,通过梳理《飞城》《气泡》《终端世界》《第一区》和《纽约2140》这五部美国后末日小说中围绕“重建纽约”所展现的空间书写与经济叙事特征,可发掘其深层次发展要素集聚、转移和重构的过程。当都市空间、宏观经济、金融资本、居民个体等复杂因素被置于后末日的背景之中,各主体在危机后的发展预期与伦理困境也折射出美国科幻小说对于不可持续的发展模式的无情批判,以及对无法逃避的资本主义历史循环的辛辣讽刺。As one of the most renowned metropolises and economic centers in the world,New York has inspired countless writers throughout literary history and has frequently served as a prototype for urban imagination in the construction of post-apocalyptic worlds in science fiction.Adopting a literary-economic interdisciplinary perspective,this study employs development ethics as a theoretical framework to examine the spatial narratives and economic storytelling across five American post-apocalyptic novels:Cities in Flight,The Blister,Terminal World,Zone One,and New York 2140.It explores the processes of agglomeration,transfer,and reconstruction of developmental factors as portrayed in the“rebuilding of New York.”When urban space,macroeconomics,financial capital,and individual residents are situated within a post-apocalyptic context,the developmental expectations and ethical dilemmas faced by various subjects reflect American science fiction’s relentless critique of unsustainable development models as well as its sharp satire of the inescapable historical cycles of capitalism.
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