困囿与突围:微短剧的瞬间爽感、焦虑体验与疗救之策  

Trapped and Breakthrough:Instant Pleasure,Anxiety Experience and Healing Strategies in Micro-Short Dramas

作　　者：褚晓萌 Chu Xiaomeng

机构地区：[1]安徽大学文学院

出　　处：《中国文艺评论》2025年第2期84-96,I0003,共14页China Literature and Art Criticism

基　　金：2022年安徽省高校哲学社会科学重点项目“网络文学讲好中国故事的叙事建构”(项目批准号:2022AH050349)的阶段性成果。

摘　　要：近年来,追看微短剧已成为人们日常生活中不可缺少的休闲娱乐活动。作为一种充满活力与潜力的新兴网络文艺样式,微短剧延续了网络文学中的爽感体验,在情节模式、叙事套路和人物设置上呈现出典型形态,为人们构建了一个可以逃离现实困境的心灵幻境。在竞速逻辑下,微短剧的生产机制强化了图像层面上的爽感体验,在故事节奏、运作方式和观看模式上呈现出新特点,带给受众瞬间体验。然而在观看之后,人们又再度被焦虑所裹挟,沉迷于心灵幻境,迷失于瞬间体验,逐渐产生审美疲劳。因此,我们要从多维向度寻求疗救良方,用心创作兼具爽感和价值的微短剧作品,不断扩容产业业态,共同营造良好生态和发展环境,努力弥合人们的焦虑体验,推动微短剧健康可持续发展。In recent years,binge-watching micro-short dramas has become an integral part of people’s daily leisure activities.As a vibrant and promising emerging form of network literature and art,micro-short dramas continue the sense of pleasure in network literature,showcasing typical characteristics in plot patterns,narrative routines and character settings.These dramas craft a psychological escape,offering viewers a temporary reprieve from real-life challenges.Driven by the logic of dromology,the production mechanism of micro-short dramas enhances the sensory experience at a visual level,presenting new characteristics in story rhythm,operation mode,and viewing mode,thereby delivering instantaneous experiences to audiences.However,after watching,viewers are often re-ensnared by anxiety,addicted to spiritual illusions,lost in fleeting experiences,ultimately leading to aesthetic fatigue.To address these issues,we need to seek remedies from multiple dimensions,create micro-short dramas that are both enjoyable and valuable.By continuously expanding the industrial landscape,cultivating a robust ecosystem along with a favorable development environment,we aim to bridge viewers’anxiety experiences and promote the healthy and sustainable development of micro-short dramas.

关 键 词：微短剧 爽感 竞速 焦虑 疗救 网络文艺 

分 类 号：G63[文化科学—教育学]