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机构地区:[1]武汉理工大学艺术与设计学院 [2]重庆大学美视电影学院 [3]青岛科技大学传媒学院
出 处:《创意与设计》2025年第1期6-13,共8页Creation and Design
基 金:国家社科基金艺术学重大项目“中国设计艺术学科体系、学术体系、话语体系现状评估及评价标准研究”(23ZD14)。
摘 要:为推动中国自主知识体系的建设,回应知识生产过程中全球化与本土化之间的张力与矛盾,文中回顾并梳理了2024年关于中国设计学主体性的相关讨论,旨在为中国设计学主体性的进一步发展提供理论支持与指导。通过分析,本文认为过去一年中国设计学在多个方面实现了转变,包括从中层理论话语向宏观话语的拓展、从学术传承到学术创新的推动,以及从艺术本体到跨学科融合的深入。然而,设计学仍需进一步明确其内核与外延,深化本土设计理论的探索,加强设计话语体系构建,以推动学科的全面发展。To advance the construction of China's independent knowledge system and address the tension and contradictions between globalization and localization in the process of knowledge production,this paper reviews and summarizes the discussions on the subjectivity of Chinese design discipline since 2024,aiming to provide theoretical support and guidance for the further development of the subjectivity of Chinese design discipline.Through analysis,this paper argues that in the past year,Chinese design discipline has undergone several transformations,including the expansion from mid-level theoretical discourse to macro-level discourse,the shift from academic inheritance to academic innovation,and the deepening of interdisciplinary integration from the core of art.However,design discipline still needs to further clarify its core and extension,deepen the exploration of indigenous design theories,and strengthen the construction of design discourse systems to promote the comprehensive development of the discipline.
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