沉浸式设计视域下的中国画手卷研究  

Research on Chinese Painting Handscrolls from the Perspective of Immersion Design

作　　者：孙玉洁 郭遂波[1] Sun Yujie;Guo Suibo(School of Culture and Art,Zhejiang Technical Institute of Economics)

机构地区：[1]浙江经济职业技术学院文化艺术学院

出　　处：《美术》2025年第2期145-147,共3页Art Magazine

基　　金：《浙江经济职业技术学院人才引进专项项目》(项目编号:X2023095)的阶段性研究成果。

摘　　要：本文属于艺术学、心理学与神经科学结合的交叉学科研究,主要以积极心理学的心流理论观照中国画手卷,探讨其令体验者产生心流、实现沉浸的工作机制。中国画手卷边展边看的近距离欣赏方式令交互性成为最突出的特性,体验者往往具备身心一如、散点透视和多重视角,因身临其境而发生时间感的扭曲。中国画手卷不仅是一种特殊的装裱形制,更是一种承载和充盈了不息生命变化的沉浸式设计类型。This article carries out interdisciplinary research of art,psychology and neuroscience,studying Chinese painting handscrolls with the flow in positive psychology and discussing the mechanism of handscrolls creating flow in visitors and making them immersive in painting appreciation.Interaction is the most prominent feature of the close-up appreciation of Chinese painting handscrolls,and visitors always enjoy the unity of body and mind and have scattered perspectives and multiple perspectives during the unrolling,resulting in a transformation in their sense of time as if traveling through a real scene.The handscroll is not only a special form of mounting,but,more importantly,an immersion design that carries and is filled with changes of life.

关 键 词：中国画 手卷 心流 沉浸 跨模态 

分 类 号：J212[艺术—美术]