公共雕塑建设的“上海新模式”:从“黄浦江滨江雕塑艺术展”谈起  

The“New Model of Shanghai”in Public Sculpture Construction:On the“Huangpu Riverside Sculpture Art Exhibition”

作　　者：曾成钢(文/图) 闫坤(文/图) Zeng Chenggang;Yan Kun

机构地区：[1]上海大学上海美术学院 [2]清华大学美术学院

出　　处：《公共艺术》2024年第4期67-73,F0004,共8页Public Art

摘　　要：2024年8月,“黄浦江滨江雕塑艺术展”在上海中华艺术宫举行,在当今城市雕塑由增量转向存量发展的背景下,此次展览是多方共同探索如何以雕塑艺术促进城市更新的重要案例和阶段性成果。“黄浦江滨江雕塑艺术展”围绕上海加快建成社会主义现代化国际大都市的发展定位展开,由政府与学术团体合作,通过一系列新观念、新技术与新形式,尝试建立雕塑介入上海城市空间的新模式,探索一条城市文化艺术高质量发展的公共艺术新路径。On August 2024,the"Huangpu Riverside Sculpture Art Exhibition"was held at the China Art Museum in Shanghai.In the context of the development of urban sculpture from increment to stock,this exhibition is an important case and a phased achievement of many parties to explore how to promote urban renewal through sculpture art.The"Huangpu Riverside Sculpture Art Exhibition"focuses on Shanghai's development orientation in accelerating the construction of a modern socialist international metropolis.And with a series of new concepts,technologies and new forms,the government and academic groups cooperate to try to establish a new model of sculpture intervention in Shanghai's urban space so as to explore a new path of public art for the high-quality development of urban culture and art.

关 键 词：城市雕塑 公共艺术 上海模式 

分 类 号：TU9[建筑科学]