青海藏族羌姆面具的多元文化特征  

Multicultural Features of Tibetan Qiangmu Masks in Qinghai

作　　者：郭小影 Guo Xiao-ying

机构地区：[1]中国国家博物馆,北京100006

出　　处：《青海民族大学学报(社会科学版)》2025年第1期102-108,共7页Journal of Qinghai Minzu University:Social Sciences

基　　金：中国国家博物馆科研项目“馆藏青海藏族面具研究”(项目编号:GBKX2021Y15)的阶段性研究成果。

摘　　要：藏族羌姆面具是居住在青藏高原上的藏族人民所创造的文化艺术产物,作为我国西南地区以及东西方文明文化交汇点的造型艺术,无论其历史成因或美学特征上都具有多元化的属性。本文通过梳理中国国家博物馆收藏的近代藏族羌姆面具,解析其受到自然条件、社会生活、宗教文化等的综合影响,从内在历史文化成因到外在美学特征上,无不呈现出多元文化融合的态势。成因中又以宗教信仰和地域民族特征最为显著,外在表征则从造型、色彩和工艺三方面来阐释其文化意蕴和民族心理,以此来展现青藏高原独具特色的造型艺术。The Tibetan Qiangmu mask is a cultural and artistic product created by the Tibetan people,who live mainly on the Qinghai-Tibet plateau.The plastic arts,which are located in the cultural crossroads of China's southwestern region as well as the Eastern civilization,have diversified attributes in terms of both their historical genesis and aesthetic characteristics.By combing through the modern Tibetan Qiangmu masks collected in the National Museum of China,this paper analyzes their comprehensive influence by natural conditions,social life,and religious culture so as to present a multicultural fusion from the inner historical and cultural causes to the outer aesthetic characteristics.Among the causes,religious beliefs and regional and ethnic characteristics are the most significant.The outward manifestations are interpreted from the three aspects of shape,color and craftsmanship to explain its cultural meaning and national psychology,thus showing the unique characteristics of the Qinghai-Tibet Plateau's plastic arts.

关 键 词：青海 藏族 羌姆 面具 多元文化 

分 类 号：C953[社会学—民族学]