陶瓷粉彩人物绘画在中国传统文化中的地位和作用  

The Status and Role of Ceramic Pastel Figure Painting in Traditional Chinese Culture

作　　者：黄为群 Huang Weiqun(Huang Weiqun Ceramic Art Studio,Jingdezhen,333000)

机构地区：[1]黄为群陶瓷艺术工作室,景德镇333000

出　　处：《陶瓷研究》2024年第6期131-133,共3页Ceramic Studies

摘　　要：中国粉彩人物绘画作为一种独特的陶瓷艺术形式,承载着丰富的文化价值和深厚的历史意义。本文梳理了粉彩人物绘画的发展脉络,具体分析了其艺术特点和技术细节,探讨了其在中国传统文化中的地位及作用。粉彩艺术起源于明末清初,发展至清代达到鼎盛,以其温润的色彩和精细的表现力突显了中国传统审美的特点。文章进一步探讨了粉彩人物画的多样性和表现力,突出其在文化传承和审美展示上的重要作用。此外,本文也讨论了粉彩人物绘画的现代价值,认为其不仅是艺术的传承,更是文化交流的桥梁,展现了中国传统文化的独特魅力。通过对粉彩人物绘画的深入研究,本文强调了其在传统与现代文化发展中的双重重要性。As a unique form of ceramic art,Chinese pastel figure painting carries rich cultural value and profound historical significance.This paper reviews the development of pastel figure painting,analyzes its artistic characteristics and technical details,and discusses its status and role in traditional Chinese culture.Pastel art originated in the late Ming and early Qing dynasties and reached its peak in the Qing Dynasty,highlighting the characteristics of traditional Chinese aesthetics with its warm colors and fine expressiveness.This paper further explores the diversity and expressiveness of pastel figure painting,highlighting its important role in cultural inheritance and aesthetic display.In addition,this paper also discusses the modern value of pastel figure painting,arguing that it is not only an artistic inheritance,but also a bridge for cultural exchange,showing the unique charm of traditional Chinese culture.Through an in-depth study of pastel figure painting,this paper emphasizes its dual importance in the development of traditional and modern culture.

关 键 词：粉彩人物绘画 陶瓷艺术 传统文化 文化传承 现代价值 

分 类 号：J527[艺术—艺术设计]