基于图像学的海棠花轿图案视觉魅力探析  

Analysis of the Visual Charm of the Begonia Flower Sedan Chair Pattern Based on Iconography

作　　者：周雅洁 王华 ZHOU Yajie;WANG Hua(College of Furnishings and Industrial Design,Nanjing Forestry University,Nanjing 210037,China)

机构地区：[1]南京林业大学家居与工业设计学院,南京210037

出　　处：《家具》2025年第1期105-109,共5页Furniture

基　　金：教育部产学合作协同育人项目(202101148004)。

摘　　要：海棠花轿是苏州特有的花轿形式,是民俗文化的载体。为探析海棠花轿的装饰图案,基于田野调查所获取资料,利用图像学研究法对海棠花轿的装饰图案进行解读,研究表明构图严谨、色彩鲜艳和丰富寓意的海棠花轿装饰图案源于地理与文化的密切联系以及艺术与生活的融合。这不仅是清代晚期社会文化剧烈转型和中西交流趋势下的必然结果,也是传统科举文化、男权文化等民俗信仰影响的体现。通过图像学方法循序渐进深入分析海棠花轿的装饰图案,丰富了国内对花轿文化的研究,为婚俗文化研究提供了不同的思路,对民俗文化保护具有现实意义。The Begonia sedan chair is a unique form of sedan chair in Suzhou,serving as a carrier of local folk culture.This study explored the decorative patterns of the begonia sedan chair.Based on data obtained from the field surveys,an iconographic research method was employed to interpret the decorative patterns of the begonia sedan chair.The results reveal that the Begonia sedan chair's decorative patterns,characterized by rigorous composition,vibrant colors,and rich meanings,originate from the close connection between geography and culture,as well as the integration of art and life.This is not only an inevitable outcome of the drastic social and cultural transformation in the late Qing Dynasty and the trend of Sino-Western exchanges,but also an embodiment of the influence of traditional imperial examination culture,male power culture,and other folk beliefs.Through a graphic analysis method,the study systematically examines the decorative patterns of the Begonia sedan chair,which enriches the research on the sedan chair culture in China,provides new perspectives for the study of marriage culture,and holds practical significance for the protection of folk cultural heritage.

关 键 词：海棠花轿 装饰图案 图像学 婚俗文化 

分 类 号：TS664[轻工技术与工程]