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作 者:骆旭诚 LUO Xu-cheng(Faculty of Education,Beijing Normal University,Beijing 100875)
出 处:《巢湖学院学报》2024年第5期66-72,99,共8页Journal of Chaohu University
摘 要:宋元话本中的曹操形象与知人论世的批评视角使《短歌行·对酒当歌》被释为曹操求贤若渴与功业未成之作,这种阐释首先未注意到诗歌文本中的“互文性”,其次未意识到诗歌空间与现实空间的情感差异,最后忽略了儒学在东汉末年对贵族人格塑造的影响,文本内部的情感矛盾与张力由此被消解。《短歌行·对酒当歌》实质是曹操士大夫情结的展现,文本内部曹操对社会伦理结构的寻求以及现世“明君”缺位的失落,与文本外部组诗思想的一致性以及“游仙诗”的创作模式,皆彰显出曹操对于士大夫身份的追求。Traditional interpretations of Cao Cao′s Short-Song Ballad:Singing to Wine,influenced by his image in Song and Yuan narratives and a contextual criticism framework,often regard the poem as an expression of his yearning for talented individuals and frustration over unfulfilled ambitions.However,such readings fail to address three critical dimensions:first,the"intertextuality"embedded within the poem;second,the emotional divergence between the poetic and real-world spaces;and third,the impact of Confucian thought on shaping aristocratic personalities during the late Eastern Han Dynasty.These omissions dissolve the emotional contradictions and tensions within the text.Short-Song Ballad:Singing to Wine essentially reflects Cao Cao′s attachment to the ethos of the scholar-official class.Internally,the poem conveys Cao Cao′s pursuit of a stable social and ethical structure and his disillusionment with the absence of a"wise ruler"in the real world.Externally,the thematic coherence across the poem series and the influence of the"wandering immortal poetry"tradition highlight Cao Cao′s aspiration for the scholar-official identity.
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