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作 者:刘卓[1] LIU Zhuo(Institute of Literature,Chinese Academy of Social Sciences,Beijing 100732,China)
出 处:《妇女研究论丛》2025年第1期104-113,共10页Journal of Chinese Women's Studies
摘 要:丁玲于延安时期的写作呈现出明显的前后期转折。从文学史研究的视角看,这一变化被阐释为从个人到群众的变化;从性别研究的视角看,这一转折蕴含着“新女性”与革命进程之间的紧张关系。这两种阐释思路分享着一个隐含的共识,即“五四丁玲”与“延安丁玲”的静态对立。从起始于20世纪30年代的“文艺大众化”脉络来看,丁玲延安前期小说创作“性别”议题的出现,与其静态地归因于其个人的境遇和意识状态,或者归因于外在规训与自我审查,不如说反映着丁玲通过思考女性人物的处境而触及的革命主体生成的问题,并且在写法上有意识地克服30年代革命文学创作中的概念化现象;这一问题意识和写法在延安后期“土改”小说的“翻心”议题上得到了进一步的发展,“性别”议题与“翻心”议题有着内在的同构性与延续性。There could be found an obvious disruption in Ding Ling's writing during the Yan'an period.From the perspective of literary history,it can be interpreted as a transition from individuals to the masses consciously.It also implies a tense relationship between the“new women”and the revolutionary process from the perspective of gender studies.Nonetheless,the two interpretive approaches share an implicit consensus,namely the static opposition between“May Fourth Ding Ling”and“Yan'an Ding Ling”.This paper argues for the continuity between Ding Ling's characteristic female writing in early Yan'an period and“land reform”novel in late Yan'an,in terms of the epistemological isomorphism of their narrative structures.Furthermore,the emergence of the“gender”issue in Ding Ling's writing in early Yan'an should be attributed neither to Ding Ling's personal situation,nor to the external political discipline and self-censorship.Rather,it reflects Ding Ling's sustaining reflection on the problematic of revolutionary subjectivity since the“Literary Massification”movement inaugrated by“League of Left-Wing Writers”in the 1930s,and it achieved a more complicated narrative in her“land reform”novel in the late 1940s.
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