论妮可·克劳斯小说《大宅》中的“物”  

“Things”in Nicole Krauss’s Novel Great House

作　　者：李金云[1] 唐琼 Li Jinyun;Tang Qiong

机构地区：[1]武汉科技大学外国语学院,武汉430065 [2]武汉科技大学党委学生工作部,武汉430081

出　　处：《外语教育研究》2025年第1期92-97,共6页Foreign Language Education & Research

基　　金：教育部哲学社会科学研究后期资助项目“美国当代犹太小说的共同体叙事研究”(项目编号:23JHQ046);湖北省教育厅哲社科研究重点项目“当代美国犹太小说的文化记忆书写研究”(项目编号:24D026)的阶段性成果。

摘　　要：妮可·克劳斯的小说《大宅》讲述了四个故事,这些故事围绕主人公怀茨家二战时期遗失的书桌展开。书桌呈现出主体性、生成性和关联性的特征:主体性表现在书桌不再是人的附属品,它能够主导和影响人的情绪和行为;生成性表现在书桌通过材质、外形和颜色等视觉特征向主人公施魅,影响其性格特征和行为倾向;关联性体现在书桌映射了犹太民族几千年的动荡历史,见证了犹太人的大屠杀创伤经历。小说中容纳着书桌的书房,同样表现出以上三种特征。通过对书桌和书房的描写,《大宅》以独特的视角形象地再现了犹太民族惨遭屠杀的历史,揭露了大屠杀给犹太人造成的心灵创伤。Nicole Krauss’s novel Great House tells four stories,which are about the protagonist,Weisz’s desk lost in WWII.The desk presents three characteristics,which are subjectivity,productivity and connectivity.Subjectivity means that the desk is no longer people’s accessory,but can dominate and influence their emotions and behaviors.Productivity mainly refers to the desk’s influence on personality and behaviors of the protagonists with its visual features,such as its material quality,shape and color.Connectivity is revealed in the fact that the desk reflects the turmoil history of the Jews and witnesses the traumatic experience of the Holocaust.In Great House,the study,which contains the desk,also exhibits the above three characteristics.By depicting the desk and the study,Great House vividly presents the history of the Holocaust,and exposes the mental trauma caused to the Jews.

关 键 词：妮可·克劳斯 《大宅》 书桌 书房 

分 类 号：I712.074[文学—其他各国文学]