从文本到副文本:斯特恩小说的多重可能性意义探究  

From Text to Paratext:Exploration of the Meaning of Multiple Possibilities in Sterne's Fictions

作　　者：雷武锋[1] 王翘楚 LEI Wu-feng;WANG Qiao-chu(Faculty of Liberal Arts,Northwest University,Xi'an 710127,Shaanxi)

机构地区：[1]西北大学文学院,陕西西安710127

出　　处：《商洛学院学报》2025年第1期23-29,共7页Journal of Shangluo University

基　　金：教育部人文社会科学研究规划基金项目(24YJA752004)。

摘　　要：从古希腊、罗马时期至18世纪现代小说的兴起,叙事作品中始终强调作品、作者的权威地位,忽略了读者在阅读文本时的能动作用。而到了18世纪中期,英国小说家劳伦斯·斯特恩在创作中以颇具实验性质的副文本呈现方式为读者介入文本创造了条件。他试图抵抗机械化的文学创作及流行小说的娱乐消遣功能,探寻了副文本的功能与文本意义完成的多重可能。同时,以其超越性的图像化叙事尝试启发着当代文学研究的“图像转向”。From the ancient Greek and Roman period to the rise of the modern novel in the eighteenth century,narrative works have been emphasizing the authority of the work and the author's status,ignoring the reader's active role in reading the text.In the mid-18th century,the British novelist Laurence Sterne created the conditions for readers to intervene in the text with his experimental presentation of paratexts.He tried to resist the mechanized literary creation and the entertainment function of popular novels,and explored the function of paretext and the many possibilities of completing the meaning of the text.At the same time,his transcendent pictorial narrative attempts inspired the"pictorial turn"in contemporary literary studies.

关 键 词：劳伦斯·斯特恩 读者主体性 副文本 

分 类 号：I561.074[文学—其他各国文学]