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作 者:徐小川 王浩阳 刘铁军[1] XU Xiaochuan;WANG Haoyang;LIU Tiejun(Academy of Arts and Design,Tsinghua University,Beijing,100084,China)
机构地区:[1]清华大学美术学院,北京100084
出 处:《家具与室内装饰》2025年第1期4-8,共5页Furniture & Interior Design
基 金:清华大学研究生教育教学改革项目(202007J032)。
摘 要:开合作为中国传统家具使用过程中的重要行为,不仅展现了其存储功能的外在表现,更蕴含了深层的逻辑与秩序。本文通过对家具开合的系统化研究,对家具开合方式进行了归纳总结,提出了中国传统家具的五种基本开合方式及三类开合秩序的组织关系。同时,通过编码形式分析,不同类型家具的开合组织方式得以进一步揭示其内在的秩序关联。在此基础上,本文以具体家具实例为切入点,深入分析和解读传统家具开合行为背后反映的生活方式与文化内涵,并尝试构建一种理解家具开合的新视角,为中国传统家具研究提供参考与启发。As an important behaviour in the use of traditional Chinese furniture,opening and closing not only shows the external performance of its storage function,but also embodies deep logic and order.Through systematic research,this paper summarises the opening and closing modes of furniture,and proposes five basic opening and closing modes and three organisational relationships of opening and closing order in traditional Chinese furniture.At the same time,through the analysis of coding forms,the opening and closing organisations of different types of furniture can further reveal their intrinsic order relationships.On this basis,this paper takes specific furniture examples as the starting point to deeply analyse and interpret the lifestyle and cultural connotations reflected behind the opening and closing behaviours of traditional furniture,and tries to construct a new perspective to understand the opening and closing of furniture,so as to provide references and inspirations for the study of traditional Chinese furniture.
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