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作 者:吕宁茁 袁傲冰[1] LYU Ningzhuo;YUAN Aobing(College of Furnishing and Art Design,Central South University of Forestry and Technology,Changsha,Hunan,410004,China;School of Arts Administration and Education,Central Academy of Fine Arts,Beijing,100105,China)
机构地区:[1]中南林业科技大学家居与艺术设计学院,湖南长沙410004 [2]中央美术学院艺术管理与教育学院,北京100105
出 处:《家具与室内装饰》2025年第1期112-116,共5页Furniture & Interior Design
基 金:湖南省哲学社会科学基金项目(20YBA263)。
摘 要:研究主要关注明式家具在20世纪的价值改变及背后的收藏因素。文章依托于文献梳理,试在中国美术收藏史研究中引入“物的文化传记”理论对物品价值历程的讨论。以王世襄的收藏、研究为线索和着眼点,观察明式家具在原始语境和新语境中价值变迁过程,关注其价值在流通交换过程中的不断延展。以期在历史研究和理论分析的基础上,透过对交换的关注切入对收藏行为的研究,并从中得到对明式家具在流通中的价值变迁和王世襄的收藏研究脉络,以及二者关联的观察。This article focuses on the value evolution of Ming-style furniture in the 20th century and the underlying collecting factors.Relying on the literature study,the article tries to introduce the theory of“cultural biography of objects”into the study of the history of Chinese art collection to discuss the value history of collected objects.Taking Wang Shixiang's collection and studies as the clue and focus,this study observes the transformation of the value of Ming-style furniture in both its original and new contexts,focusing on the continuous extension of its value in the process of circulation and exchange.Based on historical research and theoretical analysis,the article shifts its focus from exchange to the study of collecting behaviors and observes the value evolution of Ming-style furniture in circulation and the evolution of Wang Shixiang's collections and studies,and the correlation between the two.
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