敦煌壁画中“花树”造型的艺术演变  

The Artistic Evolution of the"Flower Tree"Modeling in Dunhuang Murals

作　　者：贺荣 HE Rong(Faculty of Innovation and Design,City University of Macao,Macao,999078,China)

机构地区：[1]澳门城市大学创新设计学院,中国澳门999078

出　　处：《家具与室内装饰》2025年第1期117-121,共5页Furniture & Interior Design

基　　金：吉林省高等教育科研课题一般项目“美术创作与展示助力乡村振兴模式创新研究”(JGJX24D0412)。

摘　　要：本文旨在探讨“花树”造型在敦煌艺术中的演变过程及其形态特征,揭示其在不同历史时期的艺术表现。通过运用历史文献和图像资料分析,研究追溯了自北魏至元代期间“花树”造型的艺术演变,深入剖析了其在佛教艺术、中原文化、西域文化及民族特色等多重因素影响下所发生的变化。通过对敦煌莫高窟壁画中“花树”造型的具体案例研究,揭示了这一艺术元素如何反映不同历史时期的社会、宗教与文化的交融。研究发现,敦煌早期“花树”造型受到中原传统绘画与佛教艺术影响,表现出简洁且富有装饰象征意义的特点;至唐朝时期,造型逐渐趋向多样化,融入了更多绘画技法与观念;敦煌晚期则展现出更为精致与装饰化的艺术风格。本文通过对“花树”造型这一系列演变过程的梳理,丰富了对敦煌艺术形态特征的理解,也为研究浩瀚的敦煌文化交流提供了新的视角。This paper aims to discuss the evolution of the“flower tree”modeling in Dunhuang art and its morphological characteristics and reveal its artistic performance in different historical periods.Through historical documents and image data analysis,the study traces the artistic evolution of the“Flower Tree”modeling from the Northern Wei Dynasty to the Yuan Dynasty,and provides an in-depth analysis of its evolution under the influence of multiple factors,such as Buddhist art,Central Plains culture,Western Region culture,and national characteristics.Through the specific case study of the“Flower Tree”modeling in the murals of the Mogao Caves in Dunhuang,the study reveals how this artistic element reflects the social,religious and cultural interactions in different historical periods.The study finds that the early Dunhuang“flower tree”modeling was influenced by traditional painting and Buddhist art in the Central Plains,showing the characteristics of simplicity and decorative and symbolic meaning.During the Tang Dynasty,the modeling gradually tended to diversify,incorporating more painting techniques and concepts.In later periods,Dunhuang murals show a more refined and decorative artistic style.Through the review of a series of evolution processes of the“Flower Tree”modeling,this paper enriches the understanding of Dunhuang art forms and provides a new perspective to study the extensive Dunhuang cultural exchanges.

关 键 词：艺术演变 文化交融 艺术形态 民族特色 演变特征 佛教艺术 

分 类 号：TS664.1[轻工技术与工程]