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作 者:张唯一 曹汝平 ZHANG Weiyi;CAO Ruping(School of Art and Design,Shanghai University of Engineering Science,Shanghai,201620,China)
机构地区:[1]上海工程技术大学艺术设计学院,上海201620
出 处:《家具与室内装饰》2025年第1期122-127,共6页Furniture & Interior Design
基 金:国家社会科学基金艺术学一般项目“中国工业设计探源研究(1862—1932年)”(2020BG110);上海市设计学IV类高峰学科资助项目(DES21001)。
摘 要:本研究聚焦于民国时期上海木器家居业的分布格局及其形成原因,旨在揭示该时期木器家居业的空间布局与生活方式、消费者需求之间的关联性。研究基于上海市档案馆及图书馆的丰富资料,并通过实地调查获取第一手资料。在研究方法上,本文采用了核密度估计法、文献调查法,综合运用了历史学、地理学的理论与方法。研究结果表明:上海木器家居业的分布特征呈现为“大范围分散,小范围集聚”的模式,这一模式的形成主要受到“民国时期上海城市空间的发展”“洋商的经营活动和策略”以及“家居市场与商业空间环境”的影响。This study focuses on the distribution pattern of the woodwork furniture industry in Shanghai during the Republic of China and its underlying causes.The research aims to reveal the relationship between the spatial layout of the industry and lifestyles and consumer demands of the period.Drawing on extensive archival materials from the Shanghai Municipal Archives and libraries,as well as firsthand data obtained through field investigations,this study adopts a multidisciplinary approach.Methodologically,it employs kernel density estimation and literature review,integrating theories and methods from history and geography.The findings indicate that the distribution of woodwork furniture industry in Shanghai was characterized by a pattern of"large-scale dispersion with small-scale agglomeration."It was primarily shaped by factors such as the development of urban space in Shanghai during the Republic of China,the operational strategies of foreign merchants,and the interaction between the furniture market and the commercial space.
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