虚拟现实技术下的审美范式转型思考——基于阿多诺“非同一性”美学理论  

Aesthetic Paradigm Transformation under Virtual Reality Technology——Based on Adorno's“Non-identity”Aesthetic Theory

作　　者：张妮 陈伟[1] Zhang Ni;Chen Wei(School of Humanities,Shanghai Normal University)

机构地区：[1]上海师范大学人文学院

出　　处：《美学与艺术评论》2024年第2期34-45,251,共13页Journal of Aesthetics and Art Review

摘　　要：阿多诺“非同一性”的星丛理论,是承载其美学思想的哲学基础,其对文艺“总体性”现象的批判思考,在虚拟现实审美范式转型的今天仍保持活力。全新审美范式对工具理性的否定,对感官经验的强调,以及其所蕴含的“身体性”“交互性”“生成性”,使人们重新审视审美的本质,从而揭示出部分美学家对于马克思主义人本思想的误读,彰显出阿多诺美学视域下虚拟现实审美转型的必然性。“乌托邦式”的审美文化转型使阿多诺曾经看似“乌托邦”的文艺思想,最终实现“现代性”的正名。文章以虚拟现实审美范式下的文艺实践为载体,从数字信息时代的“文化工业”及“逻各斯中心主义”、虚拟现实审美范式的“非同一性”及其于当代美学价值体系的建构等方面,探究阿多诺“非同一性”在中国式现代化建设中的现实性发展。在数字文化急遽发展的今天,阿多诺的“非同一性”不再仅仅是一种思想逻辑,更是新时代带有否定辩证主义色彩的美学方法论,值得我们细细品味。Adorno's star cluster theory of“non-identity”is the philosophical foundation that carries his aesthetic ideas,and his critical thinking about the phenomenon of“totality”in literature and art is still alive and kicking in today's transformation of the aesthetic paradigm of virtual reality.The new aesthetic paradigm's denial of instrumental rationality,its emphasis on sensory experience,and its implication of“physicality”,“interactivity”,and“generativity”make people re-examine the nature of aesthetics,thus revealing part of the essence of aesthetics.The emphasis on“physicality”,“interactivity”,and“generativity”implied by it makes people re-examine the nature of aesthetics,thus revealing the misinterpretation of Marxist humanistic thought by some aestheticians and highlighting the inevitability of the aesthetic transformation of virtual reality under the field of Adorno's aesthetic.The“utopian”transformation of aesthetic culture makes Adorno's once seemingly“utopian”literary and artistic thoughts finally realize the proper name of“modernity”.Taking the practice of literature and art under the aesthetic paradigm of virtual reality as a carrier,the article explores the realistic development of Adorno's“non-identity”in the construction of Chinese modernization from the aspects of“culture industry”and“logocentrism”in the age of digital information,“non-identity”of virtual reality aesthetic paradigm and its construction in the value system of contemporary aesthetics.In the rapid development of digital culture,Adorno's“non-identity”is no longer just a logic of thought,but also an aesthetic methodology of the new era with the color of negative dialecticism,which is worth our careful consideration.

关 键 词：阿多诺 非同一性 虚拟现实 审美转型 美学价值 

分 类 号：B83-0[哲学宗教—美学] TP391.9[自动化与计算机技术—计算机应用技术]