清华简《五纪》的美学阐释  

An Aesthetic Explanation for the Tsinghua Bamboo Manuscript Wuji

作　　者：谭玉龙[1] Tan Yulong(College of Media and art,Chongqing University of Posts and Telecommunications)

机构地区：[1]重庆邮电大学传媒艺术学院

出　　处：《美学与艺术评论》2024年第2期127-140,256,257,共16页Journal of Aesthetics and Art Review

基　　金：国家社科基金项目“甲金简帛中的美学思想研究”(21CZX060)阶段性成果。

摘　　要：近年公布的清华简《五纪》是一篇失而复得的先秦长篇佚籍。它假托至上神“后”或“后帝”,以“五纪”为基础,配以五算、五时、五度、五正、五章等,构建了一个丰富、宏大的天人系统。其中不仅有关于天文、宗教、哲学等的深刻思想,还存在与美和图画、乐舞相关的论述,提出了“元休是章”“行爱者必美”以及以“度”为美等美学命题和观点,体现出《五纪》抄写者的审美观念具有浓厚的伦理道德色彩,他所推崇的“美”是“休”美或“德美”。这正是对西周美学的传承和发展,并与儒家美学相通,彰显出早期中国美学之崇德的精神特质。所以清华简《五纪》是一篇新发现的早期中国美学研究的重要文献,是反映当时审美观念的宝贵一手材料。The Tsinghua Bamboo Manuscript Wuji published in recent years is a recovered long lost article.The Tsinghua Bamboo Manuscript Wuji establishes an abundant and grand system of nature and people,which is based upon Wuji matching with Wusuan,Wushi,Wudu,Wuzheng,Wuzhang and so on.In this manuscript,there are not only deep thoughts about astronomy,religion,philosophy and so on,but also some discussions about the beautiful paintings,music and dance.The author of this manuscript holds an idea that Wuzhang is the primary beauty,people loving all the others must be beautiful and Du is a sort of beauty,which reflects the heavy morality color of his aesthetic thoughts.This is the inheritance of aesthetics of the Western Zhou Dynasty and similar to Confucian aesthetics,and it shows the moral characteristic of aesthetics of early China.Therefore,The Tsinghua Bamboo Manuscript Wuji reflecting aesthetic thoughts of people in the Pre-Qin Period is an important document for studying aesthetics of early China.

关 键 词：清华简《五纪》 以“休”为美 “善—美” 艺术合于“度” 

分 类 号：B83-0[哲学宗教—美学] K877.5[历史地理—考古学及博物馆学]