基于后现代及类型学的新中式玫瑰椅再设计  

REDESIGN OF THE NEW CHINESE ROSE CHAIR BASED ON POSTMODERNISM AND TYPOLOGY

作　　者：郭传龙 周晓江 GUO CHUANLONG;ZHOU XIAOJIANG

机构地区：[1]中国计量大学艺术与传播学院

出　　处：《设计》2025年第2期116-119,共4页Design

基　　金：中国传统工艺传承的当代范式与标准体系研究(20BG137)国家社科基金艺术学一般项目。

摘　　要：为更好地传承和创新我国新中式家具的内涵和造型设计,梳理和分析了当下新中式座椅的后现代美学特征,以丰富的后现代理念实现新中式座椅的新语义转译。以类型学的设计方法,选取中国传统家具中有代表性的玫瑰椅进行再设计。验证了玫瑰椅在与现代设计理念的融合中所体现的后现代美学特征。以传统玫瑰椅范式为蓝本进行再设计,融合了东西方设计美学,使新中式玫瑰椅有了后现代美学特征,并适用于当下时代流行趋势。To better inherit and innovate the connotation and design of new Chinese furniture in my country,the postmodern aesthetic characteristics of the current new Chinese chairs were sorted out and analyzed,and the new semantic translation of the new Chinese chairs was realized with rich postmodern concepts.The rose chair,a representative of traditional Chinese furniture,was selected for redesign using the typological design method.The postmodern aesthetic characteristics of the rose chair in its integration with modern design concepts were verified.The redesign was based on the traditional rose chair paradigm,integrating the design aesthetics of the East and the West,so that the new Chinese rose chair has postmodern aesthetic characteristics and is suitable for the current trend of the times.

关 键 词：新中式家具 新中式座椅 后现代 类型学 玫瑰椅 

分 类 号：J0-03[艺术—艺术理论]