唯我、无我与诗性的三重“人间”——论李修文散文创作  

The Three Dimensions of Renjian of Ego-only,Egoless and Poetic:A Treatise on Li Xiuwen’s Prose Composition

作　　者：李晓丽[1] 王久衔 Li Xiaoli;Wang Jiuxian(Yangzhou University)

机构地区：[1]扬州大学文学院

出　　处：《写作》2025年第1期79-88,共10页Writing

摘　　要：“人间”不仅是李修文散文中反复出现和意义丰富的关键词,更连缀着散文基本情节结构中的“唯我人间”“无我人间”以及二者生成的“诗性人间”。这三重人间既由实而虚,又自虚而实,在短语的排列与长句的组合中实现对“空间”的保留与超越。同时,李修文的散文借助“水”的媒介属性,模糊了清醒与疯狂、现实与想象,从而挣脱散文文体的非虚构束缚,在南方以北形成“水性写作”的独立风格。“Renjian”not only is a keyword that repeatedly appears and holds profound meanings in the text,but also is linked with the fundamental plot structures of prose,which consist of the“Ego-only Renjian”,the“Egoless Renjian”,and the“Poetic Renjian”born from the two.These three dimensions of“Renjian”possess both reality and imagination,simultaneously transcending and retaining the“space”within the arrangement of phrases and combination of lengthy sentences.Moreover,leveraging the medium of water,the works blur the boundaries between lucidity and madness,reality and imagination,thus freeing themselves from the restraints of the non-fictional nature of prose,forming an independent style associated with the nature of water in the area north of the south.

关 键 词：李修文 散文文体 人间 

分 类 号：H315[语言文字—英语]