捷克斯洛伐克马克思主义美学的历史图谱  

Historical Mapping of Marxist Aesthetics in Czechoslovakia

作　　者：匡存玖 Kuang Cunjiu(College of Humanities,Sichuan Agricultural University,Ya’an,China)

机构地区：[1]四川农业大学人文学院,四川雅安625014

出　　处：《社会科学论坛》2025年第2期5-16,共12页Tribune of Social Sciences

基　　金：四川省哲学社会科学基金项目《捷克斯洛伐克马克思主义文艺理论研究(1945-1989)》阶段性成果,项目编号:SCJJ23ND290。

摘　　要：捷克斯洛伐克马克思主义美学在与西方现代思潮的频繁碰撞交流中,建构了“结构功能主义美学”“社会主义超现实主义”“实践存在论美学”“精神分析唯物主义”“文学与文化革命美学”“审美符号反映与价值论”等丰富多元的命题,开创了马克思主义现实主义美学、现代主义美学、实践美学、符号美学、艺术样式美学等批判范式,建构了以社会实践批判、语言符号学、文化阐释、具体艺术样式为核心的批判阐释维度,彰显了鲜明的实践性、人道主义与文化现代性批判色彩。In the frequent collision and communication between Czechoslovak Marxist Aesthetics and Western modern thoughts,it has constructed such diverse propositions as“structural functionalism aesthetics”,“socialist surrealism”,“practical ontology aesthetics”,“psychoanalytic materialism”,“literature and cultural revolution aesthetics”,“aesthetic symbol feflection and theory of value”,and other rich and diversified propositions,which have created Marxist realist aesthetics,modernist aesthetics,practical aesthetics,semiotics aesthetics,aesthetics of art atyles,etc.,constructing a critical interpretation dimension centered on the critique of social practice,linguistic semiotics,cultural interpretation,and specific art styles,and manifesting a distinctive practicality,humanitarianism,and the critical color of cultural modernity.

关 键 词：捷克斯洛伐克 马克思主义美学 历史图谱 

分 类 号：I01[文学—文学理论]