“弱小本体”的跨媒介叙事——瓦蒂莫“弱思维”理论的艺用性探析  

The Transmedia Narrative of“Weak Ontology”——An Analysis of the Artistic Applicability of Gianni Vattimo’s Theory of“Weak Thought”

作　　者：白淼 王佳[1] BAI Miao;WANG Jia(College of Literature,Liaoning University,Shenyang Liaoning,110000)

机构地区：[1]辽宁大学文学院,辽宁沈阳110000

出　　处：《山西大同大学学报(社会科学版)》2025年第1期106-110,共5页Journal of Shanxi Datong University(Social Science Edition)

摘　　要：在当前工业社会主导下的艺术生产中,基于瓦蒂莫“弱思维”理论而衍生的哲学命题——“弱小本体”——已跨界至艺用领域。在“艺术衰弱”的现实表象中“,弱小本体”先后形成了调节艺术失衡、参与物性解放与重建艺术真实的三重“跨界”功用,极具思辨精神。当下,瓦式哲学的“柔弱”之音对于艺术生产的祛蔽功不可没,其本质是通向“非弱小”的艺术生产力,在打破意识垄断藩篱、为大众艺术正名的实践过程中具有强大的能动力量。In the industrial society with high participation of economic forms,the“weak ontology”speculation based on Wattimo’s“weak thinking”theory has led to the cross-media narrative of art production.From the reality of“art weakening”,“weak ontology”has formed three kinds of cross-media narrative modes,which adjust the imbalance of art,participate in the liberation of material nature and return to the truth of art.The“weak”voice of Tile philosophy contributes greatly to the removal of modernity.Its essence is a kind of artistic productivity leading to“non-weak”,which has a powerful dynamic force in the practice process of breaking the monopoly barrier of consciousness and justing the name of popular art.

关 键 词：艺术生产 弱思维 弱小本体 跨媒介 

分 类 号：B832.1[哲学宗教—美学]