晋绥边区的抗战音乐  

Antiwar Music in the Jinsui Border Region

作　　者：李建权 李雨 LI Jian-quan;LI Yu(School of Marxism,Taiyuan University of Science and Technology,Taiyuan Shanxi,030024)

机构地区：[1]太原科技大学马克思主义学院,山西太原030024

出　　处：《山西大同大学学报(社会科学版)》2025年第1期150-155,共6页Journal of Shanxi Datong University(Social Science Edition)

基　　金：山西省社科联2024至2025年度重点课题研究项目“晋绥抗日根据地的医疗卫生建设研究”(SSKLZDKT2024094)。

摘　　要：音乐作为一种人文艺术,在人文熏陶、精神共鸣乃至动员民众等方面发挥着不可替代的作用。晋绥边区的抗战音乐采取多种多样的表现形式,以宣传抗日民族统一战线,弘扬民族正气,鼓舞抗战士气为主要内容,将抗战精神与音乐艺术高度融合,最大限度地发挥出音乐的社会动员作用。这些适应抗战新形势的音乐作品以生动灵活、通俗易懂的方式在边区宣传动员民众,巩固发展党的群众基础和阶级基础,推动民族意识觉醒,凝聚抗战中坚力量,成为中国共产党及其领导的人民军队团结、教育和动员民众最有效的精神武器,对晋绥边区的抗战事业发挥了重要作用。As a kind of humanistic art,music plays an irreplaceable role in humanistic cultivation,spiritual resonance and even mobilization of people.Antiwar music in Jinsui Border Region took various forms of expression,with the main contents of propagating the anti-Japanese national united front,promoting national righteousness and inspiring the morale of the resistance,highly integrating the spirit of resistance with music,and giving full play to the social mobilization of music to the maximum extent.These musical works,which were adapted to the new situation of the war of resistance,were used to propagandize and mobilize the people in the border area in a vivid,flexible and easy-to-understand way,to consolidate and develop the Party’s mass base and class base,to promote the awakening of national consciousness,and to unite the backbone forces of the war of resistance,thus becoming the most effective spiritual weapon of the CPC and its People’s Army in uniting,educating and mobilizing the people,and playing an important role in the cause of the war of resistance in the Jinsui Border Area.

关 键 词：晋绥 抗战 音乐 动员 

分 类 号：J639[艺术—音乐]