文学与生死:谭元春的诗文创作  

Literature and Thanatology:Tan Yuanchun’s Poetic Creation

作　　者：刘芝庆 Liu Zhiqing(Department of Chinese Language and Literature,Hubei University of Economics,Wuhan,China)

机构地区：[1]湖北经济学院中文系,湖北武汉430205

出　　处：《社会科学论坛》2025年第1期79-90,共12页Tribune of Social Sciences

基　　金：教育部人文社会科学研究规划基金项目《东亚儒学的现代话语体系建构研究》的阶段性成果,项目编号:24YJA720008。

摘　　要：在晚明注意生死问题的意见氛围中,谭元春也属其中,自不例外。对于死亡,他所思所想,所忧所虑,所恐所惧,所见所闻,究竟为何?该怎样理解他的生死疑惑?相较于当时的三教,或是其他文人超生越死,他的特色又是什么?从这种生命感受进入谭元春的言说,我们发现,谭元春的文学主张,往往强调生命质量。有了这种体验,发乎文学,诉诸言辞,不论是写诗评诗,还是知人论世,又或是诠释庄子,谭元春都以类似“澄衷”“幽深”“虚怀”的生命情调,知之解之、释之行之,并因此回答人生的大哉问:死生事大。In the atmosphere of opinion that paid attention to issues of life and death in the late Ming Dynasty,Tan Yuanchun was among them,and was no exception.What exactly did he think about death?How should we understand his doubts about life and death?Compared with the three religions or other literati at that time who transcended life and death,what were his characteristics?From this feeling of life into Tan Yuanchun’s speech,we find that Tan Yuanchun’s literary ideas often emphasize the feeling of life.With this experience,literature comes from literature and resorts to words,whether it is writing poems,commenting on poems,or knowing people.When discussing the world,or interpreting Zhuangzi,Tan Yuanchun answered the big question of life with a similar sentiment of life:life and death are big things.

关 键 词：竟陵派 谭元春 晚明 钟惺 

分 类 号：I209.9[文学—中国文学]