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作 者:季中扬 张娜[3] Ji Zhongyang;Zhang Na(the College of Humanities,Southeast University;Chinese National Visual Image Research Base at Southeast University;the College of Humanities,Nanjing Agricultural University,Nanjing,210096)
机构地区:[1]东南大学人文学院 [2]东南大学中华民族视觉形象研究基地 [3]南京农业大学人文学院,南京210096
出 处:《民族艺术研究》2025年第1期14-23,共10页Ethnic Art Studies
基 金:2021年度国家社科基金艺术学重大项目“中国艺术人类学的理论与实践研究”(项目批准号:21ZD10)的阶段性研究成果。
摘 要:乡村不同于特定框架中的艺术作品,不能以一般审美对象视之,而应将其理解为审美体系,即将其审美经验与其他社会系统相整合。在现代社会,中国乡村社会的本土审美体系虽然已经式微、瓦解,但根脉未断、底色未改,艺术乡建应不断反思其介入方式,协调当代艺术理念与本土审美体系之间的张力。在艺术乡建实践中,越来越多的艺术家已经意识到了艺术乡建与本土审美体系之间的张力问题,也逐渐对介入方式予以调整、修正,总体呈现为从局外人到局内人、从强姿态到弱姿态、从实验场到生活场、从断裂到连续、从主导到协商的变化。不仅于此,还应积极构建既能体现本土审美体系主体性、自主性,又能发挥艺术乡建引领性的相处之道。艺术乡建可考虑与本土表达协商共同议题,如教育、养老、生态、环境等,以本土审美体系自身开放性为切口,共创共生一种关切着乡村生存发展的新的乡村艺术形态。The countryside is different from art works in a specific framework, which cannot be regarded as an aesthetic object, but as an aesthetic system, i.e., integrating its aesthetic experience with other social systems. In modern society, although the local aesthetic system of Chinese rural society has declined and disintegrated, its roots have not been broken and its color has not been changed. Artistic rural construction should constantly reflect on its intervention methods, and harmonize the tension between contemporary art concepts and the local aesthetic system. In the practice of artistic rural construction, more and more artists have realized the tension between artistic rural construction and the local aesthetic system, and have gradually adjusted and corrected their intervention methods, which in general shows a change from outsider to insider, from strong gesture to weak gesture, from experimental field to living field, from rupture to continuity, and from domination to negotiation. It is also necessary to actively construct a way of getting along that can reflect the subjectivity and autonomy of the local aesthetic system and also give play to the leading role of artistic rural construction. Artistic rural construction can consider negotiating common issues with local expressions, such as education, pension, ecology, environment, etc., and use the openness of the local aesthetic system as an entry point to co-creating and co-generating a new form of rural art that is concerned with the survival and development of the countryside.
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