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作 者:李岩[1] 刘睿祺 Li Yan;Liu Ruiqi(College of Foreign Studies,Northeastern University,Shenyang Liaoning 110819)
出 处:《沈阳师范大学学报(社会科学版)》2025年第2期88-96,共9页Journal of Shenyang Normal University(Social Science Edition)
基 金:国家社会科学基金艺术学项目(21BA024);中央高校基本科学研究业务经费项目(N2215001)。
摘 要:在文化全球化和动荡的“世纪冲突”背景下,探讨阿伦特政治美学经由“审美—政治判断”理念,旨在追求一种基于共识的“对世界的爱”(amor mundi),同时挖掘和抨击地区冲突的根源——新型帝国主义“极端的恶”。传统的文化研究突出塑造文化全球化的经济和政治条件,阿伦特政治美学则强调纯粹的审美正义。在文化层面,其共识共同体理念对理解和协调不同民族、不同国家之间的冲突和矛盾能够提供些许解决思路,因而具有很强的创生性和积极的现实性。阿伦特政治美学虽存在局限性,但对于当下文化层面对抗新型帝国主义、构建“爱”的人类命运共同体具有重要启示。In the context of cultural globalization and the turbulent“Century Conflict”,the study of Arendt's aesthetics of politics aims to pursue a consensus-based“love of the world”(amor mundi)through the concept of“aesthetic-political judgment”,while exploring and criticizing the root cause of regional conflicts-the“radical evil”of new imperialism.Traditional cultural studies highlight the economic and political conditions that shape the cultural globalization,while Arendt's aesthetics of politics emphasizes pure aesthetic justice.At the cultural level,her concept of consensus community can provide some solutions to understanding and coordinating conflicts and contradictions between different nations and countries,and therefore has strong creativity and positive realism.Although Arendt's aesthetics of politics has certain limitations,it has important inspirations for the current cultural level to fight against new imperialism and foster a“loving”Community with a shared future for mankind.
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