基于柳宗悦民艺思想的桦树皮器物特征研究  

Research on the Characteristics of Birch Bark Artifact Based on Soetsu Yanagi's Idea of Folk Art

作　　者：胡英辉 郝婷[1] 张双雨 HU Yinghui;HAO Ting;ZHANG Shuangyu(Vocational and Technological College,Inner Mongolia Agricultural University,Baotou 014000,Inner Mongolia,China)

机构地区：[1]内蒙古农业大学职业技术学院,内蒙古包头014000

出　　处：《上海包装》2025年第2期83-85,共3页Shanghai Packaging

基　　金：2021年内蒙古自治区教育厅高等学校科学研究项目人文社会科学一般项目“基于‘三少’民族桦树皮文化的文创产品设计研究”(2017NDC139)。

摘　　要：柳宗悦是20世纪初日本民艺运动的奠基者之一,他的思想对重新定义日常器物的美学价值产生深远影响。以柳宗悦的民艺思想为理论基础,从“贫与美”“用与美”“健康美”这3个维度深入探讨桦树皮器物的特征,以期为可持续设计提供一些借鉴与启示。Soetsu Yanagi is one of the founders of Japanese folk art movement in the early 20th century. His ideas have a profound influence on redefining the aesthetic value of daily utensils. Based on Soetsu Yanagi's folk art ideas, this paper discusses the characteristics of birch bark artifacts from three dimensions of "poverty and beauty" "use and beauty" and "healthy beauty", in order to provide some reference and enlightenment for sustainable design.

关 键 词：桦树皮器物 民艺思想 传统手工艺 现代设计 

分 类 号：TS93[轻工技术与工程]