王阳明心性礼乐美学论  

Exploring the Rites-Music Aesthetics in Wang Yangming's Philosophy of the Mind and Human Nature

作　　者：潘黎勇 Hou Jian Pan Liyong(the School of Humanities at Shanghai Normal University)

机构地区：[1]上海师范大学人文学院,上海200234 [2]the School of Foreign Languages at Henan University

出　　处：《孔学堂》2024年第3期41-51,154-165,共23页Confucian Academy

基　　金：2017年度国家社会科学基金重大项目“中国礼乐美学对传统制度文明的创构研究”(项目批准号:17ZDA015);2019年度国家社科基金一般项目“中国现代美学对儒家礼乐精神的传承与转化研究”(项目批准号:19BZW013)阶段性成果

摘　　要：王阳明的“心即理”说不仅对传统理学的致思方法、修身路径具有激烈的变革意义,由于其对心体的重建和天理体知模式的变革,“礼即理”这一宋代礼乐美学的核心命题同样在心学语境中遭到拆解和重构,由此导致的理—礼关系向心—礼关系的结构性转换,深度推进了儒家礼乐美学的心性化进程。在王阳明心性思想中,先天与经验、理性与感性、普遍与个体的双重规定赋予本心以鲜明的美学品格,并从根本上塑造了心性礼乐美学。灵明之本心取代客观的天理成为礼乐审美活动及其价值创造的本原和契机,由此促发了传统礼乐美学的思想变革。Wang Yangming's doctrine that"the mind is principle"reconstructed the substance of the mind and changed the way to comprehend the heavenly principle.This led to a deconstruction and reconstruction of the core proposition of Song dynasty rites-music aesthetics,"ritual is principle,"within the framework of the philosophy of the mind.This facilitated a structural shift from a principle-ritual relationship to a mind-ritual relationship,significantly promoting a Confucian rites-music aesthetics that was oriented toward the mind and human nature.In Wang Yangming's philosophy of the mind and human nature,the duality of transcendence and empiricism,reason and emotion,universality and individuality,bestows a distinctive aesthetic quality upon the original mind and essentially molds the rites-music aesthetics in Wang's philosophy.The spiritually enlightened original mind substitutes for the objective heavenly principle as the source and driving force of rites-music aesthetic activities and the creation of aesthetic value,thereby initiating a transformation in traditional rites-music aesthetics.

关 键 词：王阳明 心性礼学 “心即理” “礼根于心” 礼乐美学 

分 类 号：B248.2[哲学宗教—中国哲学] B83-0