“制器尚象”造物思想在茶具设计中的应用  

The Application of the Creation Thought of"Making the Ware still Like"in the Design of Tea Sets

作　　者：员勃[1] 陈一凡 YUAN Bo;CHEN Yifan(Wuhan Polytechnic University,Wuhan,Hubei,430023)

机构地区：[1]武汉轻工大学,湖北武汉430023

出　　处：《湖南包装》2025年第1期17-20,139,共5页

基　　金：湖北省教育厅哲学社会科学研究项目(22Y093);武汉轻工大学校级科研项目(2023Y57)。

摘　　要：现代茶具设计需要融入中国传统价值、用户情感和消费语境,以“形”达“意”进行设计转译,达到不同生活场景下用户体验情感化与差异化的满足。研究“制器尚象”这一中国古代传统造物思想,运用文献研究法分析“器”与“象”的内涵及进阶模式,从制器到尚象的3个阶段(即观物、取意、尽象)的设计过程进行旅行款茶具设计案例实践。通过归纳传统陶瓷类茶具的特点,结合用户及相关利益者的意象分析、提取,进行综合转译创造,得出传统造物思想与现代设计方法融合的新路径,摆脱过于注重西方设计思维方式的设计模式。Modern tea set design needs to integrate Chinese traditional values,user emotions and consumption context,and translate the design with"form"and"meaning"to achieve emotional and differentiated satisfaction of user experience in different life scenarios.This paper studies the ancient Chinese traditional creation thought of"Making the Ware still Like",uses the literature research method to analyze the connotation and advanced mode of"objects"and"images",and carries out the case practice of travel tea set design from making objects to the design process of 3 stages(i.e.,viewing objects,taking meaning and making images).By summarizing the characteristics of traditional ceramic tea sets,combining with the image analysis and extraction of users and relevant stakeholders,the paper carries out comprehensive translation and creation,and comes up with a new way of integrating traditional creation thoughts with modern design methods,and gets rid of the design mode that attaches too much importance to Western design thinking.

关 键 词：制器尚象 造物思想 茶具 设计 

分 类 号：TS972.23[轻工技术与工程]