基于设计形态学的长沙窑瓷文具仿生逻辑分析  

Bionic Logic Analysis of Changsha Kiln Porcelain Stationery Based on Design Morphology

作　　者：蒋妍捷 张玉山[2] JIANG Yanjie;ZHANG Yushan(Hunan Vocational College of Science and Technology,Changsha,Hunan,410004;Research Center for Chinese Culture and Creativity,Central South University of Forestry and Technology,Changsha,Hunan,410004)

机构地区：[1]湖南科技职业学院,湖南长沙410004 [2]中南林业科技大学中国文化创意研究中心,湖南长沙410004

出　　处：《湖南包装》2025年第1期49-51,共3页

基　　金：文化和旅游部文化艺术研究项目(23DG015)。

摘　　要：在设计形态学相关理论基础上,以长沙窑瓷文具为研究对象,从设计形态学角度对其形态仿生逻辑进行分析,归纳长沙窑瓷文具仿生形态表现特征,并阐释其内在逻辑结构。对相关文献及案例展开研究,厘清设计形态学相关概念,梳理长沙窑瓷文具类别以及装饰和造型特征,再通过对研究对象的局部造型和整体造型进行不同维度的深入探究,总结归纳出了长沙窑瓷文具形态内在逻辑结构,进而凝练出设计形态学框架下的长沙窑瓷文具仿生逻辑。通过详细分析长沙窑瓷文具仿生逻辑,为长沙窑瓷文具及其他窑口传统陶瓷研究提供参考依据与新的思路。On the basis of the relevant theories of design morphology,this paper takes Changsha kiln porcelain stationery as the research object,analyzes its morphological bionic logic from the perspective of design morphology,summarizes the bionic morphological characteristics of Changsha kiln porcelain stationery,and explains its internal logical structure.The paper studies relevant literature and cases,clarifies the relevant concepts of design morphology,sorts out the categories of Changsha kiln porcelain stationery and its decorative and modeling characteristics,and then conducts in-depth exploration of the local and overall modeling of the research o bject in different dimensions,summarizes the internal logical structure of the Changsha kiln porcelain stationery,and then condenses the bionic logic of Changsha kiln porcelain stationery under the framework of design morphology.Through a detailed analysis of the bionic logic of Changsha kiln porcelain stationery,it provides a reference basis and new ideas for the study of Changsha kiln porcelain stationery and other traditional ceramics from kilns.

关 键 词：设计形态学 长沙窑瓷文具 形态仿生 

分 类 号：TS951[轻工技术与工程] TQ174.7[化学工程—陶瓷工业]