“唯美而美”的典范——唯美主义大师王尔德的戏剧及其译介  

Models of“Aestheticism”—The Plays and Their Translation of Oscar Wilde

作　　者：王璐 WANG Lu(Department of Foreign Language Teaching and Research/Research Centre for Foreign Language Education and Assessment,Luoyang Normal University,Luoyang Henan 471934,China)

机构地区：[1]洛阳师范学院公共外语教研部、外语教育与测评研究中心,河南洛阳471934

出　　处：《湖北开放职业学院学报》2025年第4期196-198,共3页Journal of Hubei Open Vocational College

基　　金：河南省教育厅人文社会科学研究项目“王尔德喜剧语言风格及其再现的翻译策略研究”研究成果(项目编号:2016-QN-1831)。

摘　　要：被誉为“才子和戏剧家”的奥斯卡王尔德是英国文坛的一颗明珠,其文学创作更是一直践行了他“艺术是为了创造美”的主张,无论现实题材的社会风俗喜剧还是虚幻题材的荒诞悲剧。仅凭四部妙语连珠的风俗喜剧和一部唯美叙事表达突出的悲剧《莎乐美》就奠定了他在英国戏剧文坛不可撼动的地位,使之可以与当时著名剧作家萧伯纳齐名。这些剧作在中国的五四时期掀起了译介热潮,且之后每部作品的翻译都不断推陈出新,对当时中国文学创作影响甚深。Oscar Wilde is one of the greatest dramatists in British literature and his masterpieces are the four comedies of manners and the only tragedy Salome,in which he fully practiced his belief that art is for the creation of beauty.The comedies are known for their witty dialogues and the tragedy for its aesthetic narrative.These works were translated into Chinese during the May Fourth Movement period,which attracted great attention among writers and exerted much influence on their literary creation at that time.Thereafter,new versions came out constantly throughout the time.

关 键 词：王尔德 唯美主义 风俗喜剧 《莎乐美》 译介 

分 类 号：J8[艺术—戏剧戏曲]