网络游戏中孙悟空“公共形象”的再生成——以《黑神话:悟空》为例  

The Reconstruction of Monkey King s"Public Image"in Online Games—A Case Study of"Black Myth:Wukong"

作　　者：臧慧远 ZANG Huiyuan(School of Humanities,Zibo Normal College,Zibo 255130,Shandong,China)

机构地区：[1]淄博师范高等专科学校人文学院,山东淄博255130

出　　处：《淮阴师范学院学报(哲学社会科学版)》2025年第2期199-204,216,共7页Journal of Huaiyin Teachers College(philolophy and social sciences Edition)

基　　金：2024年度国家社会科学基金项目“技术媒介与《西游记》现代传播机制研究”(24SGC098)。

摘　　要：孙悟空作为《西游记》中的经典人物,历经数百年的演绎与再创作,形成了丰富而多元的“公共形象”。随着数字技术的发展,网络游戏作为新兴文化传播媒介,通过其独特的互动性、沉浸感和即时性,赋予孙悟空形象新的表现形式与文化内涵。网络游戏《黑神话:悟空》通过人物角色重塑、故事情节与叙事结构创新、文化内涵扩展,人物形象在视觉与内涵上得到了深化与多维扩展。该游戏不仅呈现了孙悟空形象的现代化转型,还能为文学经典在数字时代的再创作与传播提供理论支持和实践借鉴。Monkey King,the iconic character from"Journey to the West",has undergone centuries of reinterpretation and re-creation,resulting in a rich and diverse"public image."With the advancement of digital technologies,online games have emerged as a novel medium for cultural dissemination,offering unique interactivity,immersion,and immediacy to redefine and enrich Monkey King s image with new expressions and cultural connotations.The online game"Black Myth:Wukong"reconstructs this classic character through innovative character design,storytelling,and narrative structures,as well as cultural depth,thereby enhancing and expanding his visual and intrinsic dimensions.The game not only exemplifies the modern transformation of Monkey King s image but also provides theoretical and practical insights for the re-creation and dissemination of literary classics in the digital age.

关 键 词：网络游戏 孙悟空 “公共形象” 《黑神话:悟空》 

分 类 号：G124[文化科学] G206