“以不类为类”——钱锺书论审美意象的创构  

"Uncorrelation as Correlation":Qian Zhongshu(钱书)'s Theory on Aesthetic Imagery Creation

作　　者：王怀义 李张怡 Wang Huaiyi;Li Zhangyi(School of Chinese Language and Literature,Wuhan University,Wuhan 430072,Hubei,China)

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《长江学术》2025年第2期68-77,共10页Yangtze River Academic

基　　金：国家社会科学基金重大项目“审美意象的历史发展及其理论建构研究”(21&ZD067)。

摘　　要：钱锺书改造《柳南随笔》“以不类为类”命题,将其确立为一条诗学原则,以“类”与“不类”的对抗平衡为内在规定。该原则在诗人主体心志与想象力参与下发挥作用,以其内在张力赋予审美意象再生力,为意象在传统中的发展奠定基础,也帮助诗人完成个人审美意象群的构建。“似无之象”为一类特殊审美意象,是“以不类为类”原则最集中的体现。钱锺书的诗性之“类”理论建立了诗学意义上的“类”范畴,具有汇通中西的价值。Qian Zhongshu reforms the proposition of"Uncorrelation as correlation"in Liu Nan Sui Bi(《柳南随笔》)and establishes it as a poetic principle,taking the conflict and balance between"correlation"and"uncorrelation"as its internal regularity.The principle of"uncorrelation as correlation"works on the basis of the participation of the poet's subjective mind and imagination,through whose inherent tension the aesthetic imagery gains reproductive power,laying the foundation for the development of imagery in tradition and helping poets construct their personal aesthetic imagery group.There exists a special type of aesthetic image called"invisible imagery",which is the most concentrated embodiment of the principle of"uncorrelation as correlation".Qian Zhongshu's theory of poetic"correlation""establishes the category of"lei"(类)in the poetic sense,and has the value of integrating the East and the West poetics.

关 键 词：钱锺书 诗学理论 审美意象 “类” “不类” 

分 类 号：I01[文学—文学理论]