“声音”叙事与历史表达——以莫言小说为例  

“Sound”Narrative and Historical Expression-A Case Study of Mo Yan’s Novels

作　　者：王菊 Wang Ju(School of Literature,Nankai University,Tianjin 300071,China)

机构地区：[1]南开大学文学院,天津300071

出　　处：《天津大学学报(社会科学版)》2025年第2期174-181,共8页Journal of Tianjin University:Social Sciences

基　　金：天津市哲学社会科学规划年度课题青年项目(TJZWQN24-005).

摘　　要：对“声音”的赋形化用在莫言文学世界的历史书写中具有重要意义,不仅传递出作家对历史的独特理解,也帮助其确立独树一帜的历史书写风格。文章以《食草家族》《生死疲劳》《檀香刑》为重点分析对象,试图从叙述声音、声音符码、声音仪式不同角度出发,分别探析用于叙事的“声音”艺术在文本历史时间、历史隐喻、历史重构中的关键性作用,借以指明“声音”叙事的艺术特殊性及其与莫言历史表达的耦合路径。The formalization and embodiment of“sound”hold significant importance in Mo Yan’s literary depiction of history,not only conveying the writer’s unique understanding of history but also helping to establish his distinctive style of historical narrative.Focusing on The Herbivorous Family,Life and Death Are Wearing Me Out,and Sandalwood Death as key analytical subjects,this paper attempts to explore the critical role of“sound”in narrative art from three perspectives:narrative sound,sound codes,and sound rituals.It analyzes the key functions of“sound”in the historical time of the text,historical metaphors,and historical reconstruction,thereby highlighting the artistic particularity of the“sound”narrative and its coupling path with Mo Yan’s historical expression.

关 键 词：莫言 声音 历史叙事 新世纪文学 小说 

分 类 号：I247.5[文学—中国文学]