文化自信与民族声乐演唱艺术的发展  

Cultural Confidence and the Development of Singing Art for National Vocal Music

作　　者：张歌[1] Zhang Ge(Zhaotong University,Zhaotong 657000,China)

机构地区：[1]昭通学院,云南昭通657000

出　　处：《黑河学院学报》2025年第2期168-171,共4页Journal of Heihe University

基　　金：2019年云南省教育厅课题“新形势下高校音乐教育与文化产业融合发展之探究”(2019J1139)。

摘　　要：各个国家的民族文化均具备特色鲜明的艺术、社会等价值,且随着世界联系的日益紧密,民族与民族之间的文化深度融合、广泛化借鉴、协同化发展。从20世纪90年代,国内民族声乐演唱持续发展速度明显加快,其始终将常规演唱艺术视为根本基调,汲取各种各样的现代化演唱技巧技能,创新性创作作品,使得作品文化内涵得以连续升华、丰富。民族声乐审美存在多样化特点,且在民族声乐风格与演唱发展等方面的要求也呈明显的上升趋势。我国是多民族国家,地域辽阔,多个地区的少数民族演唱风格在风貌层面上存在明显的差异性,例如,古诗词歌曲等。如果在声乐演唱发展环节中有效化、安全性促进其现代化发展,需深度化、广泛化研究与分析不同民族的文化内涵。The national culture of each country has the distinctive value in art,society and so on.With the increasingly close connection with the world,various ethnic groups are deeply integrated in their cultures by drawing on extensive experiences and taking coordinated development.Since the 1990s,national vocal singing has been signifi cantly accelerating its sustainable development by always taking the conventional singing art as the fundamental keynote,absorbing a large number of diversifi ed modern singing skills,and creating innovative works,so that the cultural connotation of the works can be continuously sublimated and enriched.The aesthetic appreciation of national vocal music has diversifi ed characteristics,and showing an obvious upward trend in the requirements of national vocal music style and singing development.China is a multi-ethnic country with a vast territory.There are obvious diff erences in the singing styles of ethnic minorities in many regions,such as ancient poems and songs.If in the development of vocal music singing wants to eff ectively and safely promote its modernization development,it is necessary to deeply and extensively study and analyze the cultural connotation of diff erent nationalities.

关 键 词：多元文化语境 民族声乐 演唱发展 演唱风格 可行性 

分 类 号：J616[艺术—音乐]