“东西对流”双重视域下中国艺术的现代转化——以1930年代《艺风》杂志为中心的考察  

The Modern Transformation of Chinese Art under the Dual Vision of"East-West Cultural Exchange"—A Study Centered on Yi Feng Magazine in the 1930s

作　　者：谢纳 吴越 XIE Na;WU Yue(Institute of Arts and Humanities,Shanghai Jiao Tong University,Shanghai 200240,China;School of Humanities,Shanghai Jiao Tong University,Shanghai 200240,China;School of Arts,Northeastern University,Shenyang 110000,China)

机构地区：[1]上海交通大学人文艺术研究院,上海200240 [2]上海交通大学人文学院,上海200240 [3]东北大学艺术学院,辽宁沈阳110000

出　　处：《吉首大学学报(社会科学版)》2025年第1期139-145,共7页Journal of Jishou University(Social Sciences)

基　　金：国家社会科学基金重大项目(21&ZD255);上海交通大学“文科领军团队培育计划”研究项目(24WKLJ09)。

摘　　要：1930年代,以“艺风社”成员为代表的一批留学欧洲以学习西方先进文化思想为最初诉求的中国艺术家,意外地从当时西方现代主义“反思现代性”的“东方转向”中获得灵感和启示,形成新的艺术主张。他们既根植于本土又稔熟于西方,既承继于传统又标举于先锋,既崇尚现代主义艺术又推崇中国传统艺术和民间艺术。他们以《艺风》为阵地,从“东西对流”交错会通的“双重视域”出发,重释东方、重估传统,开具出一种不同于以往的“现代主义式的中国新传统主义”文化拯救方案。一方面,他们介绍西方现代主义艺术,探索西方现代主义艺术与东方传统艺术精神存在的关联,主张中国传统艺术应在与现代主义艺术的“对流”中突破自身文化阈限,通过东西文化的交流互鉴展现其现代张力;另一方面,他们积极研究中国民间艺术,以改变“雅”“俗”对立的偏见,推动中国艺术从一元化向多元化转换,实现中国艺术的现代转化。当下,重返20世纪初中国艺术出路探寻的思想现场,理解新时代中国文化艺术如何在全球化语境中走出一条独具特色的中国式现代化道路,不仅具有艺术思想史的学术价值,也具有文化思想史的理论意义。In the 1930s,a group of Chinese artists,represented by the members of the"Yi Feng Society"who initially went to Europe to learn advanced Western cultural ideas,unexpectedly drew inspiration from the"Eastern Turn"of Western modernism's"reflection on modernity",forming their new artistic propositions.They were rooted in the home culture and familiar with the West,inheriting tradition and acting as pioneers,promoting modernism as well as traditional Chinese art and folk art.Taking Yi Feng magazine as their stronghold,they set out from the dual vision of"East-West cultural exchange"to reinterpret the East and reevaluate tradition,proposing a cultural salvation plan that was different from the past,a"modernist Chinese neo-traditionalism"or a"neo-traditionalist Chinese modernism".On the one hand,they introduced western modernist art,explored the relationship between Western modernist art and the spirit of Eastern traditional art,advocating that Chinese traditional art should break through its own cultural threshold in the"exchange"with modernist art and show its modern tension through the exchange and mutual learning of Eastern and Western cultures.On the other hand,they actively studied Chinese folk art,in order to change the opposition between"elegance"and"popular taste",to promote the transformation of Chinese art from unity to diversification,and to realize the modern transformation of Chinese art.At present,it is not only of academic value in the history of art thought,but also of theoretical significance in the history of cultural thought when we return to the intellectual scene of the exploration of the way out for Chinese art in the early 20th century and understand how Chinese culture and art can walk out a unique modernization road with Chinese characteristics in the context of globalization in the new era.

关 键 词：《艺风》 中国艺术现代转化 现代艺术 东方艺术 “东西对流” 新传统主义 

分 类 号：J05[艺术—艺术理论]