制造“即时性”:作为速度文化的微短剧文艺  

The Creation of“Immediacy”:Micro-short Dramas as a New Form of Speed Culture

作　　者：别君华 曾钰婷 BIE Jun-hua;ZENG Yu-ting(School of Cultural Creativity and Media,Hangzhou Normal University,Hangzhou,Zhejiang 311121)

机构地区：[1]杭州师范大学文化创意与传媒学院,浙江杭州311121

出　　处：《艺术百家》2024年第6期65-71,共7页Hundred Schools In Arts

基　　金：2023年度国家社科基金社会学一般项目“当代国外社会学理论的‘物质转向’研究”(项目编号:23BSH165)阶段性成果;2018年度国家社科基金重大项目“中国新媒介文艺研究”(项目编号:18ZDA282)阶段性成果之一。

摘　　要：作为速度文化的新兴样态,微短剧以“即时性”为原则颠覆了传统影像的时间模式。在高密度、强反差的文本叙事和“触手可及”的观演关系下,微短剧有效塑造了“即时性”,契合了观影者对即时满足的诉求。从制造即时性的底层逻辑出发,我们可以发现,技术加速、生活加速、消费加速构成微短剧加速文化的三重逻辑。在此背景下,观影者从主动寻求加速快感的审美主体逐渐沦为“被迫加速”的功绩主体,最终陷入加速倦怠,导致自我与世界的断连。基于此,如何从创作和接受角度反思微短剧引发的速度倦怠,并探索现实性解决方案,成为亟待解决的议题。As an emerging manifestation of speed culture,micro-short dramas subvert the traditional narrative time of visual media through the principle of“immediacy”.In the context of high-density,high-contrast textual narratives and the“within-reach”relationship between audience and performance,micro-short dramas effectively shape the notion of“immediacy”,aligning with viewers’demand for instant gratification.The underlying logic of creating im⁃mediacy can be understood through three interconnected accelerative logics:technological acceleration,life accelera⁃tion,and consumption acceleration.Against this backdrop,viewers,initially active agents seeking the exhilaration of speed,gradually transform into“compelled accelerants”,ultimately experiencing accelerated fatigue that leads to a disconnection between the self and the world.Therefore,reflecting on the speed fatigue caused by micro-short dra⁃mas from both creative and reception perspectives,and exploring practical solutions to address this issue,becomes an urgent matter.

关 键 词：微短剧 速度文化 即时性 被迫加速 倦怠 

分 类 号：J905[艺术—电影电视艺术]