明代吴门画派绘画中的舟船意象与图像叙事  

Boat Imagery and Image Narration of the Paintings by Wumen Painting School

作　　者：姚远 YAO Yuan(Faculty of Humanities&Social Sciences,Nanjing Forestry University,Nanjing,Jiangsu 210013)

机构地区：[1]南京林业大学人文社会科学学院,江苏南京210013

出　　处：《艺术百家》2024年第6期87-97,共11页Hundred Schools In Arts

基　　金：2021年度国家社科基金艺术学重大项目“中国传统美术的当代复兴研究”(项目编号:21ZD23)阶段性成果之一。

摘　　要：在吴门画家眼中,舟船是人向自然延伸的交通工具,是文人社交活动的场所,更是他们观照个体生存状态、承载历史记忆的载体。舟船以独特的空间层次、象征意义及文化内涵,对吴门绘画的情节表现和情境营造产生了重要影响。画家运用舟船意象构筑画境、烘托氛围、暗示情节,表现他们关注日常生活、探究生命价值、追索历史意义的多重意旨。In the eyes of Wumen Painting School painters,boats were not only vehicles that extended human reach into nature,but also venues for literati social activities,as well as carriers that reflected individual living conditions and bore historical memories.The boats had a significant impact on the plot expression and situational construction in the paintings of the Wumen Painting School,with its unique spatial hierarchy,symbolic meaning,and cultural connota⁃tion.Painters used boat imagery to construct painterly realms,enhance atmospheres,and suggest plots,demonstrating their multiple intentions to focus on daily life,explore the value of life,and pursue historical significance.

关 键 词：舟船意象 吴门画派 图像叙事 文人画 

分 类 号：J205[艺术—美术]