传统与现代之间:西南联大作家云南游记研究——以姚荷生《水摆夷风土记》为中心  

Between Tradition and Modernity:A Study of Yunnan Travel Writings by National Southwestern Associated University Authors——Focusing on YAO Hesheng’s Shui Baiyi Fengtu Ji

作　　者：唐席艳 TANG Xiyan(College of Literature,Yunnan Normal University,Kunming 650504,Yunnan,China)

机构地区：[1]云南师范大学文学院,云南昆明650504

出　　处：《普洱学院学报》2025年第1期92-98,共7页Journal of Pu'er University

基　　金：2024年云南省教育厅科学研究基金项目:地景与文景:西南联大时期作家云南游记研究(2024Y201)。

摘　　要：西南联大学者姚荷生的《水摆夷风土记》是一部民族志文体游记,从多个维度记录了1940年西双版纳的人文与地理风情。在这趟边地之旅中,时空的双重置换,引发了作家有关生命、宗教与战争的思考。游记展现了一个由传统向现代过渡的边地,在书写传统时,作家始终秉持平等与理解的态度,但面对边地现代进程带来的诸多弊端,则持尖锐的批判立场。作为接受过现代化教育的知识分子,在面对西双版纳这块政治乌托邦时,则陷入一种入世与出世的两难状态。就《水摆夷风土记》进行个案研究,对找寻现代文学的复杂性、丰富西南联大游记文学研究具有重要意义。Yao Hesheng,a scholar of Southwest Associated University,wrote a diary travelogue,which recorded the cultural and geographical customs of Xishuangbanna in the 1940s from multiple dimensions.In this trip to the border,the dual displacement of time and space triggered the writer's thinking about life,religion and war.The travel notes show a frontier that is transitioning from tradition to modernity.When writing about tradition,the writer always holds an attitude of equality and understanding,while facing many disadvantages brought by the modern process of the frontier,he holds a sharp critical position.As a modern intellectual who has received modern education,when facing the political utopia of Xishuangbanna,he falls into a dilemma between entering the world and coming out of it.The case study of“The Dai Fudoke”is of great significance to find out the complexity of modern literature and enrich the literature research of travel notes of Southwest United University.

关 键 词：《水摆夷风土记》 西南联大 游记 传统与现代 现代知识分子 

分 类 号：I207.6[文学—中国文学]