孙悟空视觉形象的历史演进与当代启示  

The Evolution and Enlightenment of Sun Wukong's Visual Image

作　　者：韦强 WEI Qiang

机构地区：[1]湖南工业大学,株洲412007

出　　处：《上海视觉》2024年第4期57-65,共9页Shanghai Vision

基　　金：国家社科基金项目“元杂剧经典化研究(21FZWB025)”。

摘　　要：自小说《西游记》诞生于明代中期,孙悟空这一角色的视觉形象也随之大量产生。明代的孙悟空视觉形象主要有行者与宦士两类,清代则渐渐统一为行者类型。20世纪之后,孙悟空的视觉形象随着影视艺术的发展而剧增,虽然绝大部分新创的孙悟空视觉形象难以令人满意,但是也诞生了“万氏悟空”和“六氏悟空”两大经典。“万氏悟空”和“六氏悟空”在面容、身形、衣饰、动作等方面具有共同性的经典元素。二者对于孙悟空经典视觉形象的生成和定型,体现了孙悟空视觉形象经典化的路径与规律,也呈现了构成孙悟空经典视觉形象的“经典四原则”。经典孙悟空视觉形象生成的原理与经典要素,对于当代孙悟空形象的创新亦有重要启示。Since the novel Xiyouji(Journey to the West)was born in the mid Ming Dynasty.a large number of visual images of Sun Wukong have also emerged.The visual images of Sun Wukong in the Ming Dynasty mainly consisted of two types:pilgrims and eunuchs,while in the Qing Dynasty,they gradually became unified into the pilgrims.Since the 20th century.the visual image of sun Wukong increased dramatically with the development of film and television art.Although the vast majority of newly created visual images of Sun Wukong were unsatisfactory,two classics have emerged:"Wan Shi Wukong"and"Liu Shi Wukong"."Wan Shi Wukong"and"Liu Shi Wuking"both share classic elements in appearance,for,attire,and movement.This evolution stems from the exploration and accumulation of different arts in the visual image of Sun Wukong in history,which continuously endows the visual image of Sun Wukong with various classic elements,Additionally,these classics reflect the path and principles of classicization,known as the"Four Principles of Classic Sun Wukong Visual Ele-ments',and cultivates the aesthetic expectations and cultural psychology of Chinese people towards the classic visual image of Sun Wukong.

关 键 词：孙悟空 视觉形象 经典 

分 类 号：G62[文化科学—教育学]