明清俗曲音乐与社会审美观念的互动关系研究  

Study on the Interactive Relationship between Ming and Qing Folk Music and Social Aesthetic Concepts

作　　者：杜伟 DU Wei(School of Arts,West Anhui University,Lu'an 237012,China)

机构地区：[1]皖西学院艺术学院,安徽六安237012

出　　处：《皖西学院学报》2025年第1期119-124,共6页Journal of West Anhui University

基　　金：安徽省哲学社会科学规划项目青年项目“皖北地区明清俗曲音乐溯源与流变研究”(AHSKYQ2023D071)。

摘　　要：明清时期俗曲音乐与社会审美观念之间的互动关系,系通过分析俗曲音乐的特征及其在社会中的传播,继而揭示对大众审美的深远影响。同时考察了社会主流审美观念如何反作用于俗曲音乐的发展,促使其形式与内容发生演变。继而揭示俗曲音乐在明清文化中的双向互动及其与社会审美的深刻关联。The interactive relationship between folk music and social aesthetic concepts during the Ming and Qing Dynasties is revealed by analyzing the characteristics of folk music and its dissemination in society,thereby revealing its profound impact on public aesthetics.At the same time,it examined how mainstream aesthetic concepts in society have had a counter effect on the development of folk music,promoting the evolution of its form and content.Furthermore,it reveals the bidirectional interaction of folk music in Ming and Qing cultures and its profound connection with social aesthetics.

关 键 词：明清 俗曲音乐 音乐审美 

分 类 号：J609.2[艺术—音乐]