当代新民乐发展路径研究  

Research on the Development Path of Contemporary New Chinese Folk Music

作　　者：齐雪婷 QI Xueting(School of Music,Hefei Normal University,Hefei 230601,China)

机构地区：[1]合肥师范学院音乐学院,安徽合肥230601

出　　处：《皖西学院学报》2025年第1期145-150,共6页Journal of West Anhui University

基　　金：2023年合肥师范学院校级科研重点项目(2023ZD14);2024年安徽省高校哲学社会科学研究重点项目(2024AH053078)。

摘　　要：中国传统民乐是中华优秀传统文化的具体体现。新民乐作为中国传统民乐的创新成果,在三十多年的发展历程中,迅速经历了建构、解构、重构三个阶段,既形成了一种多元化的音乐文化体系,又发展成为一种新兴的音乐类型。本文具体分析了在新民乐的三个发展阶段中,影响其定义及文化内涵的社会和文化因素,探究了不同阶段新民乐音乐的创作特征,探寻了新民乐的传播方式和路径,旨在为传统民乐及中华优秀传统文化的传承、发展和海外传播提供可借鉴的发展路径。Traditional Chinese folk music is a concrete manifestation of the fine traditional Chinese culture.As an innovative achievement of traditional Chinese folk music,new Chinese folk music has rapidly experienced three stages of construction,deconstruction,and reconstruction over its more than 30 years of development.It has not only formed a diversified music culture system and developed into a new music genre.This paper analyzes the social and cultural factors that have influenced the definition and cultural connotations of new Chinese folk music during its three developmental stages,explores the creative characteristics of new Chinese folk music in different periods,and investigates its dissemination methods and paths.The study aims to provide a reference for the inheritance,development,and overseas dissemination of traditional Chinese folk music and China's excellent traditional culture.

关 键 词：新民乐 传统民乐 发展路径 中华优秀传统文化 

分 类 号：J63[艺术—音乐]