检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:博特乐图[1] Butelt(Research Institute of Chinese Northern Borderland Culture,Inner Mongolia Normal University,Hohhot Inner Mongolia 010022,China)
机构地区:[1]内蒙古师范大学北疆文化研究院,内蒙古呼和浩特010022
出 处:《北疆文化研究》2024年第4期30-37,2,共9页Chinese Northern Boderland Culture Studies
基 金:内蒙古自治区哲学社会科学重点研究基地内蒙古师范大学北疆文化研究基地项目
摘 要:北疆各民族音乐文化史,是各民族文化交流交融共生的生动历史见证。在长调、呼麦、马头琴、四胡、二人台、漫瀚调等传统音乐非遗中,均蕴含着多民族文化元素,它们都是在各民族交往交流与互动交融过程中形成并发展的。在铸牢中华民族共同体意识视野下,重新审视北疆各民族传统音乐历史及形成脉络,对其属性特征、构成元素等进行深入分析,在充分总结其艺术特征的同时,从中萃取中华民族共同体元素,以丰富中国音乐的学术表述,为构筑中华民族共有精神家园提供学术依据。The history of Chinese northern borderland music culture of various ethnic groups is a vivid history of cultural exchange,integration and coexistence of various ethnic groups.Traditional music intangible cultural heritages such as Long-tune folk songs,Khoomei,Morin khuur,Four-stringed khuur,Inner Mongolian song-and-dance duet,Manhandiao all contain multi-ethnic cultural elements,which were formed and developed in the process of communication,exchange,interaction and integration among ethnic groups.In the context of consolidating the sense of community for the Chinese nation,this paper re-examines the history and forming veins of the traditional music of Chinese northern borderland various ethnic groups,conducts an in-depth analysis of its attribute characteristics and constituent elements,and while fully summarizing its artistic characteristics,extracts elements of the Chinese nation community from it,enriches the academic expression of Chinese music,and provides an academic basis for building a common spiritual homeland for the Chinese nation.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:3.144.19.6