从机械机器人到智能机器人:人工智能的图像学  

From Robots to iBots:The Iconology of Artificial Intelligence

作　　者： 罗绮文(译) 唐宏峰(校) 

机构地区：[1]美国芝加哥大学英语语言文学系和艺术史系 [2]北京大学艺术学院

出　　处：《中国艺术》2025年第1期31-46,共16页Chinese Art

摘　　要：本讲座将以图像学视角探讨生成式人工智能和智能机器人的发展,以及人类与机器的复杂关系。人工智能的兴起引发了关于人类生存与社会生活的诸多忧虑,而生成式人工智能在图像生成和语言处理方面的能力,在进一步模糊真实与虚构界限的同时,推动了人工智能由“奴隶”向“伙伴”的形象转变。面对智能机器人的到来,我们需要在反乌托邦与乌托邦态度之间如履薄冰,既要将人文学科视角充分纳入对人工智能发展的考量,又要积极探索与人工智能的对话与合作方式,共同创造可持续发展的全球生态。This lecture explored the development of Generative Artificial Intelligence and Intelligent Robots(iBots),and the complex relationship between humans and machines from a graphical perspective.The rise of Artificial Intelligence has caused many worries about human survival and social life,and the ability of Generative Artificial Intelligence in image generation and language processing has further blurred the boundary between reality and fiction,and promoted the image transformation of Artificial Intelligence from"slave"to"partner".In the face of the arrival of Intelligent Robots,we need to tread as on thin ice between dystopian and utopian attitudes,not only to fully incorporate the perspective of the humanities into the consideration of AI development,but also to actively explore ways of dialogue and cooperation with AI to jointly create a sustainable global ecology.

关 键 词：人工智能 机器人 图像学 

分 类 号：TP2[自动化与计算机技术—检测技术与自动化装置]