句法与语义模糊——中国传统音乐的语言机制及其写意特征分析  

Syntactic and Semantic Ambiguity:Analysis of the Language Mechanism and Xieyi Features of Traditional Chinese Music

作　　者：张露予 

机构地区：[1]北京青年政治学院

出　　处：《中国艺术》2025年第1期81-89,共9页Chinese Art

基　　金：2024年度国家社科基金艺术学重大项目“中国艺术写意精神的当代实践研究”(项目批准号:24ZD03)的阶段性成果。

摘　　要：中国传统音乐具有写意的美学特征,在音乐语言上表现为句法模糊与语义模糊两个方面。经分析,句法模糊包括“模糊音态”“模糊音间”和“完形模糊”三个层次,语义模糊包括“词的模糊修辞”“腔词之间的写意模糊”以及“腔词之外的意境模糊”三个层次,以上特征综合在一起,形成了中国传统音乐独树一帜的写意韵味。Chinese traditional music has the aesthetic characteristic of Xieyi,which is manifested in syntactic fuzziness and semantic fuzziness in language.In this paper,I offer an account of the Xieyi of Chinese traditional music,arguing that syntactic fuzziness including“fuzzy shape of note”“fuzzy model of notes”and“fuzzy gestalt of sound”;The semantic fuzziness including“fuzzy rhetoric of lyrics”“Xieyi between the tune and lyrics”and“Artistic conception beyond the tune and lyrics”,the above characteristics together formed the traditional Chinese music unique freehand flavor.

关 键 词：传统音乐 写意 句法 语义 模糊 美学 

分 类 号：H31[语言文字—英语]