老庄哲学对构建中国演剧体系的影响与启迪  

Taoist Philosophy and the Construction of a Chinese System of Theatre:Implications and Aspirations

作　　者：郝戎[1] Hao Rong

机构地区：[1]中央戏剧学院

出　　处：《哲学研究》2025年第2期62-73,173,共13页Philosophical Research

基　　金：教育部首批哲学社会科学创新团队“中国演剧体系的探索与构建”建设的阶段性成果。

摘　　要：中国戏剧艺术要立于世界戏剧艺术之林取决于能否找到民族的文化之根与思想之光,能否以艺术智慧将西方理论中国化、将创作方法在深度和广度上民族化。中国哲学滋养着我们的心灵,培养了我们的思维方式和审美意识。构建中国演剧体系,需要我们在自己的演剧传统中发掘美学思想与哲学基础。否则,中国演剧体系就只能停留在“技艺”层面,“术”愈精而“道”不明。本文通过溯源老庄哲学,提出戏剧工作者要自觉追求“为人生而艺术”的理想境界,从老庄的写意手法、意境创构、虚实相生等表现方法中获得启发,探讨老庄哲学与新时代构建中国演剧体系的关系。For Chinese theatre to make its mark in the scene of global arts, it must keep a deep connection with its cultural and intellectual roots, infusing Western theories with Chinese wisdom and transforming creative methods to exhibit both the depth and breadth of Chinese tradition. Chinese philosophy nourishes our mind by shaping our modes of thinking and aesthetic awareness. In constructing a Chinese system of theatre, we need to rediscover its aesthetic and philosophical foundations within our own theatrical traditions. Otherwise,the development of Chinese theatre would remain confined to the level of technique, with refined skills but an unclear “Tao”. This paper explores the influence of Taoist philosophy and urges theatre practitioners to embrace its ideal of “ art for life. ” Drawing on the artistic techniques of Laozi and Zhuangzi, such as the creation ofYijingand the interplay between emptiness and reality(xu-shi), it investigates how Taoism can inform the development of a Chinese theatre system in the modern era.

关 键 词：中国演剧体系 老庄哲学 艺术 中西比较 

分 类 号：B835.33[哲学宗教—美学] B223